On February 17, 2020, the song "Shoorah! Shoorah!" was released by The Next Generation. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Songs in the Key of Sam". In this album, this song's track order is #10. Based on our statistics, Shoorah! Shoorah!'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Shoorah! Shoorah! by The Next Generation having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hate is the Basis (of Love) | Rachael & Vilray | A Minor | 3 | 8A | 96 BPM | ||
| One Too Many | Peter Cincotti, Tony Danza | B♭ Minor | 4 | 3A | 72 BPM | ||
| Not scratchin fo my money | The Next Generation | F Major | 2 | 7B | 113 BPM | ||
| Hold On | Mark Winkler, Sidney Jacobs | C Minor | 5 | 5A | 93 BPM | ||
| Moulin Rouge | Marisa Balistreri | F♯ Minor | 9 | 11A | 78 BPM | ||
| Tennessee Waltz | Michael Stephenson, Alexander Claffy | D♭ Major | 1 | 3B | 110 BPM | ||
| Blue | Ella Fitz, Blues Delight, JAYA | C Minor | 5 | 5A | 93 BPM | ||
| When a Man Loves a Woman | Michael Stephenson, Alexander Claffy, Benny Benack III | A♭ Major | 3 | 4B | 106 BPM | ||
| Busy | Olivia Cuttill | D♭ Major | 1 | 3B | 125 BPM | ||
| Devil of the Rock'n'Roll | The Next Generation | F Major | 2 | 7B | 113 BPM | ||
| Dead Leaf | Ella Fitz, Blues Delight, JAYA | F Minor | 1 | 4A | 131 BPM | ||
| Ho Hum | Davina and The Vagabonds | E♭ Major | 2 | 5B | 135 BPM | ||
| Days Gone By | Marie Mørck | B Minor | 5 | 10A | 150 BPM | ||
| You Called Me Baby, but Baby You Didn't Call | Lulu Leloup | F Minor | 6 | 4A | 124 BPM | ||
| Unrequited | Susie Arioli | F Major | 4 | 7B | 83 BPM | ||
| Woman | Katarina Pejak, Dana Colley | G Minor | 4 | 6A | 122 BPM | ||
| Hey Baby | Lucy Yeghiazaryan, Vanisha Gould, richard cortez | A Minor | 3 | 8A | 102 BPM | ||
| See See Rider | Ernestine Anderson | F Major | 4 | 7B | 132 BPM | ||
| Last Night | Katherine Kostoff, Gil Goldstein | C Major | 2 | 8B | 81 BPM | ||
| Days Like This | Bria Skonberg | A♭ Major | 4 | 4B | 97 BPM | ||
| Done Pretending | Aubrey Logan | B♭ Major | 3 | 6B | 116 BPM | ||
| Nymphéas | Cecil L. Recchia, David Grebil, Raphaël Dever, Noé Huchard, Malo Mazurié | C Minor | 5 | 5A | 93 BPM | ||
| First Song | Melody Gardot | C Minor | 1 | 5A | 75 BPM | ||
| Gotta Go | Greg Spero, Lindsey Webster, Davonte "Deuce" Harris, Ledaris "LJ" Jones | F♯ Major | 4 | 2B | 92 BPM | ||
| They All Laughed | Quiana Lynell, Jamison Ross | A Minor | 2 | 8A | 131 BPM |