"Requiem: IX. Pie Jesu" by Karl Jenkins had its release date on February 8, 2019. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Requiem: IX. Pie Jesu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Karl Jenkins's "Karl Jenkins: Piano" album is number 11 out of 22. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem: IX. Pie Jesu is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Requiem: IX. Pie Jesu by Karl Jenkins to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morning Dew | Liu Li-Chin | E♭ Major | 0 | 5B | 129 BPM | ||
| Lento | Ingo Höricht, Michael Berger | F Minor | 1 | 4A | 76 BPM | ||
| Shorebirds | Jane Leslie | D Major | 2 | 10B | 64 BPM | ||
| Mountain Duet | Benny Andersson | C Major | 1 | 8B | 136 BPM | ||
| Chorale: Za Ma Ba | Karl Jenkins, Peter Pejtsik, Adiemus Symphony Orchestra Of Europe | G Major | 3 | 9B | 84 BPM | ||
| Afternoon Sunlight | Joel Clarkson | D♭ Major | 1 | 3B | 111 BPM | ||
| Dear Cynthia - My Own Best Friend | Iris Hond | B Major | 2 | 1B | 118 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| The Day Before You Came | Benny Andersson | A Minor | 1 | 8A | 64 BPM | ||
| Over The Stone: V. Cadenza | Karl Jenkins, Catrin Finch | F♯ Minor | 1 | 11A | 139 BPM | ||
| My Brilliant Career - Andante Cantabile (Quartet Opus 47) | Philip Aaberg | B♭ Major | 0 | 6B | 93 BPM | ||
| COLOUR ME in Deep Purple | Julie Cooper | G Minor | 1 | 6A | 131 BPM | ||
| Michael | David Hicken | A Major | 0 | 11B | 100 BPM | ||
| The Lone Wild Bird/How Great Thou Art/Pleading Savior | Janie Becker | E♭ Minor | 1 | 2A | 76 BPM | ||
| In Reverence (Solo Piano Version) | David Tolk | A Major | 0 | 11B | 106 BPM | ||
| 遠い日の記憶 | Mine Kawakami | F Major | 1 | 7B | 159 BPM | ||
| For Now | Nat Bartsch | F Minor | 1 | 4A | 84 BPM | ||
| Våren | Edvard Grieg, Sjur Hjeltnes, Tor Jaran Apold | F Major | 1 | 7B | 143 BPM | ||
| Intermezzo | Pietro Mascagni, Manu Brazo, Prajna Indrawati, Claudia Uriarte | A Minor | 1 | 8A | 92 BPM | ||
| Will Lost Dreams Find Us Again | Gabriel Meyer | D♭ Minor | 1 | 12A | 141 BPM | ||
| much loved | Rachel Portman | E Major | 0 | 12B | 144 BPM | ||
| Mythos | Jay Maddiz | F Major | 1 | 7B | 96 BPM | ||
| Aldrig | Benny Andersson | E Minor | 0 | 9A | 71 BPM | ||
| Still Waiting | Celtroya | F Minor | 1 | 4A | 65 BPM | ||
| My Go to Place | Wayne Gratz | D Minor | 1 | 7A | 107 BPM |