Breakfast Club - Trippy Edit
Mark Henning, Big Bully
The Right Time
8:04 November 27, 2009
BPM
126
Key
D♭ Major
Camelot
3B

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Breakfast Club - Trippy Edit by Mark Henning, Big Bully Song Details

Mark Henning, Big Bully's ' "Breakfast Club - Trippy Edit" was released on its scheduled release date, November 27, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "The Right Time". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Breakfast Club - Trippy Edit's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

With Breakfast Club - Trippy Edit by Mark Henning, Big Bully having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.479 dB
Acousticness
0%
Danceability
80%
Energy
61%
Instrumentalness
92%
Liveness
10%
Loudness
86%
Speechiness
4%
Valence
42%

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ISRC
DEDL80901999
Label
L-M Records/RCA Records