John Williams's 'Wild Signals' had a release date set for 1977. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 24 out of 26 in Close Encounters Of The Third Kind by John Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Wild Signals's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Wild Signals by John Williams is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tending To Huey | Peter Schickele | A Minor | 0 | 8A | 92 BPM | ||
| Mad Max 2: The Road Warrior End Title | Brian May | G Minor | 1 | 6A | 102 BPM | ||
| On The Rooftops | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| The Beginning | Philip Glass | E♭ Minor | 4 | 2A | 112 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| Star Trek: Starfleet Academy Main Title | Jeff Russo | D Major | 4 | 10B | 137 BPM | ||
| Terminator Gets Guns / Search for Sarah | Brad Fiedel | D Major | 2 | 10B | 65 BPM | ||
| Hell's Picture Scroll | Toru Takemitsu | F Major | 1 | 7B | 125 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| The Shower - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| The Visitors / Bye / End Titles: The Special Edition | John Williams | G Major | 2 | 9B | 85 BPM | ||
| Ritmos Crecientes | Las Guerreras | E Major | 1 | 12B | 77 BPM | ||
| Solace - The Sting/Soundtrack Version (Orchestra Version) | Marvin Hamlisch | F Major | 2 | 7B | 108 BPM | ||
| Future Markets | Jonny Greenwood | F Minor | 3 | 4A | 133 BPM | ||
| This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
| Days Of Heaven (Main Theme) | Orchestra de Verona | C Minor | 3 | 5A | 70 BPM | ||
| PATTON: Intermission | The Meridian Studio Ensemble | F Major | 7 | 7B | 120 BPM | ||
| The Mandalorian | Ludwig Göransson | F Minor | 4 | 4A | 166 BPM | ||
| Marion's Theme / The Crate | John Williams, London Symphony Orchestra | G Major | 2 | 9B | 84 BPM | ||
| Professor Umbridge | Nicholas Hooper | E Minor | 3 | 9A | 140 BPM | ||
| The Story Continues | Patrick Doyle | C Major | 3 | 8B | 124 BPM | ||
| Sloth & Chunk | Dave Grusin | A♭ Major | 4 | 4B | 116 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Peter Gunn | Henry Mancini | B♭ Minor | 7 | 3A | 119 BPM | ||
| Kelly's Heroes (Theme) | Czech Philharmonic Chamber Orchestra | A Minor | 7 | 8A | 120 BPM |