On May 25, 1999, the song "Pata Kar Sadhu Bhai" was released by Rekha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rani's "Marad Mehanga Bujhata" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Pata Kar Sadhu Bhai is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pata Kar Sadhu Bhai by Rekha Rani to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Padosan Babali Ko | Raju Punjabi | E♭ Minor | 10 | 2A | 80 BPM | ||
| Babe Da Rot Chada Bhagta | Mukesh Pattiwala, Rekha Rani | A♭ Major | 8 | 4B | 160 BPM | ||
| Are Main Chhori Re Jawan | Anandilal Bhavel | A♭ Major | 6 | 4B | 88 BPM | ||
| Batawa Ae Gori Hamra Ganna Ke Rass | Samar Singh | B♭ Major | 10 | 6B | 160 BPM | ||
| Kahan Jaaiba Chhaila | Bijli Rani, Rekha Rani | A Major | 5 | 11B | 160 BPM | ||
| Meriye Maaye | Mukesh Pattiwala, Rekha Rani | A♭ Minor | 8 | 1A | 160 BPM | ||
| Naukri Geya Badi Door | Dharmej Saundhu, Rekha Rani | A Major | 5 | 11B | 160 BPM | ||
| Bhauji Kam Kara Tani Bhojan | Dhananjay Singh, Khushbu Raj, Angad Ram Ojha | F Major | 9 | 7B | 77 BPM | ||
| Mujhe Ghanta Farak Nahi Padta | Pawan Singh | F Minor | 10 | 4A | 115 BPM | ||
| Malgajari Re | Khesari Lal Yadav, Priyanka Singh | A♭ Major | 10 | 4B | 120 BPM | ||
| Gori Tohar Kamar Lachkauwa - From "Nirahua Chalal London" | Dinesh Lal Yadav, Indu Sonali | A♭ Major | 10 | 4B | 140 BPM | ||
| Kaise To Jogi Bhaiya Mere Hai Gayo Ji | Rekha Rani | D♭ Major | 9 | 3B | 88 BPM | ||
| Piche Se Try Kare Da | Sakal Balamua, Radha Pandey | F♯ Minor | 9 | 11A | 144 BPM | ||
| Dabdaba 2 | Abhishek Shukla | D Minor | 10 | 7A | 155 BPM | ||
| Jodi No 1 | Deep Khadrai, Jagdish Sharma | A♭ Minor | 7 | 1A | 177 BPM | ||
| Koshiya Bharaye Lagal | Neelkamal Singh, Priyanka Singh | F Minor | 7 | 4A | 124 BPM | ||
| Chadhal Ba Jawani | Rekha Rani | A♭ Minor | 8 | 1A | 122 BPM | ||
| Jogi De Darshan Tu | Mukesh Pattiwala, Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Kanasige Koneyilla | Sudeep, Rekha Rani | A♭ Major | 5 | 4B | 121 BPM | ||
| Mat Kare Dil Dukhi | Dharmej Sondhi, Rekha Rani | G Minor | 9 | 6A | 123 BPM | ||
| Chal Chalelu Gori Matwali He | Naresh Vyash, Rekha Rani | F Minor | 7 | 4A | 92 BPM | ||
| Baithungi Piya Bolero Me | Nardev Beniwal | F♯ Minor | 10 | 11A | 129 BPM | ||
| Titali Shahar Ke (From "Balma Bada Nadan 2") | Neelkamal Singh, Priyanka Singh | B Major | 8 | 1B | 98 BPM | ||
| Rangdaro Ke Bhatar | Rakesh Mishra | A♭ Minor | 10 | 1A | 125 BPM | ||
| Nana Nana Baje Gugara | Gokul Sharma | A♭ Major | 9 | 4B | 136 BPM |