Gil Scott-Heron's ' "The Subject Was Faggots" was released on its scheduled release date, January 1, 1971. The Subject Was Faggots is considered explicit and may contain foul language. This song is about 3 minutes and 11 seconds, which is about the average length of a typical song. There are a total of 14 in the song's album "Small Talk at 125th and Lenox". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, The Subject Was Faggots is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Subject Was Faggots by Gil Scott-Heron having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Howlin' For Judy | Jeremy Steig | D Major | 6 | 10B | 110 BPM | ||
| Why Can't There Be Love | Dee Edwards | A♭ Minor | 9 | 1A | 206 BPM | ||
| Pass The Peas | The J.B.'s | D Major | 3 | 10B | 196 BPM | ||
| California Dreamin' | Bobby Womack | F♯ Minor | 4 | 11A | 112 BPM | ||
| Oblighetto | Jack McDuff | C Major | 7 | 8B | 123 BPM | ||
| Wind Parade | Donald Byrd | D Minor | 7 | 7A | 98 BPM | ||
| The Train from Washington | Gil Scott-Heron | E Minor | 5 | 9A | 117 BPM | ||
| Concrete Reservation | Syl Johnson | A Minor | 7 | 8A | 90 BPM | ||
| Get into the Party Life | Little Beaver | E Major | 3 | 12B | 159 BPM | ||
| You're Gonna Need Me | Dionne Warwick | F♯ Minor | 6 | 11A | 167 BPM | ||
| Stepping Into Tomorrow | Donald Byrd | B Minor | 9 | 10A | 148 BPM | ||
| Home Is Where the Hatred Is | Esther Phillips | D Major | 5 | 10B | 100 BPM | ||
| Could Heaven Ever Be Like This | Idris Muhammad | D Minor | 8 | 7A | 123 BPM | ||
| Willy's Headache | Cymande | A Major | 2 | 11B | 112 BPM | ||
| I've Known Rivers | Gary Bartz | B Minor | 5 | 10A | 94 BPM | ||
| Say What | Idris Muhammad | G Major | 7 | 9B | 101 BPM | ||
| The Ballad of Dorothy Parker | Prince | D Major | 6 | 10B | 103 BPM | ||
| Blood Of An American | Bobby Wright | D Major | 1 | 10B | 150 BPM | ||
| Cherokee | Kamasi Washington | B♭ Major | 6 | 6B | 90 BPM | ||
| Introduction / The Revolution Will Not Be Televised | Gil Scott-Heron | D♭ Major | 8 | 3B | 148 BPM | ||
| Headless Heroes | Eugene McDaniels | C Minor | 6 | 5A | 102 BPM | ||
| Is There Any Love? | Trevor Dandy | D♭ Major | 5 | 3B | 83 BPM | ||
| The Wolf | Darondo | B Minor | 4 | 10A | 88 BPM | ||
| Crossword Puzzle | Sly Stone | F Major | 7 | 7B | 102 BPM | ||
| Spirits up Above | Rahsaan Roland Kirk | B♭ Major | 5 | 6B | 98 BPM |