"Alma Redemptoris Mater" by Anonymous, The Cambridge Singers, John Rutter had its release date on November 1, 1996. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Stillness And Sweet Harmony". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Alma Redemptoris Mater's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alma Redemptoris Mater by Anonymous, The Cambridge Singers, John Rutter having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Del Común de una Vírgen, Responsorio de Maitines: Haec Est Virgo Sapiens | Pro Musica Gregoriana | D♭ Major | 1 | 3B | 134 BPM | ||
| Jam conclamamus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | B♭ Major | 3 | 6B | 97 BPM | ||
| Asperges me vidi aquam | Ennio Morricone | D Major | 3 | 10B | 106 BPM | ||
| Josquin: Missa Mater Patris - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | D Minor | 1 | 7A | 71 BPM | ||
| Ad Matutinum: Lectio. Et satis est | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | F Major | 3 | 7B | 137 BPM | ||
| Winter : Emmanuel shall come to Thee | James Morgan, Juliette Pochin, Poor Clare Sisters Arundel | G Major | 1 | 9B | 81 BPM | ||
| Antiphona: Alleluia, Alleluia, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A Major | 2 | 11B | 72 BPM | ||
| Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Del Kyriale: Kyrie del Tono II | Pro Musica Gregoriana, Susana Imbern | A Major | 1 | 11B | 81 BPM | ||
| Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
| Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| In Nativitate (Domini) | Medieval Voices | E♭ Minor | 0 | 2A | 79 BPM | ||
| All-Night Vigil, Op. 37: X. Having Beheld the Resurrection of Christ | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | ||
| Sedes Sapientiae | Cathedral Choir | A Minor | 0 | 8A | 130 BPM | ||
| Gaudete in Domino semper | Chœur des moniales Bénédictines de l'abbaye Notre-Dame d'Argentan, Denise Lebon | G Minor | 4 | 6A | 138 BPM | ||
| Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
| Pieśń o Najświętszej Pannie | Urszula Rogala, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM | ||
| Viderunt omnes No. 1: ...Salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 77 BPM | ||
| Altare Plenum | Choir Of St. Abuscus, Chants of Eternity | F Major | 1 | 7B | 69 BPM | ||
| Angelorum Carmina | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 0 | 10B | 71 BPM | ||
| Dominus vobiscum... Ut nobis, Domine | Anonymous, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | G Major | 0 | 9B | 168 BPM | ||
| Graduale: Dirigatur, Modo VII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F Major | 0 | 7B | 71 BPM |