Laraaji's 'Being Here' had a release date set for October 28, 2013. This song appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Two Sides Of Laraaji". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Being Here's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Being Here by Laraaji having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Treat It Like a Wine Bar | Joseph Shabason | C Major | 2 | 8B | 101 BPM | ||
| Nunca | Suso Saiz, Suzanne Kraft | A Minor | 2 | 8A | 164 BPM | ||
| Impossible Island | Gaussian Curve | C Major | 2 | 8B | 92 BPM | ||
| The Dance No. 3 | Laraaji, Brian Eno | E♭ Major | 10 | 5B | 151 BPM | ||
| Kawanabe Kyōsai - Pt. 2 | MEITEI | D Minor | 1 | 7A | 91 BPM | ||
| Aura - Laraaji Rework | Hatis Noit, Laraaji | E♭ Major | 3 | 5B | 104 BPM | ||
| Corners | Jason Kolàr | B Minor | 3 | 10A | 63 BPM | ||
| Darwin's Sonata | Spirituals | D♭ Major | 1 | 3B | 96 BPM | ||
| High Tide | Jake Muir | F♯ Minor | 4 | 11A | 100 BPM | ||
| (Untitled Temp Track) | Visible Cloaks | F♯ Major | 1 | 2B | 115 BPM | ||
| Cult of Isis | Pauline Anna Strom | C Minor | 2 | 5A | 107 BPM | ||
| Further Than Your Headlights | Wilson Tanner | G Major | 1 | 9B | 116 BPM | ||
| Springtime in Croatia | Patricia Wolf | B♭ Minor | 7 | 3A | 126 BPM | ||
| Bassin Bleu | Nailah Hunter | B♭ Major | 2 | 6B | 83 BPM | ||
| The Phonic Chasm (feat. Dawn Seago) (Excerpt) | K. Leimer | F♯ Minor | 3 | 11A | 69 BPM | ||
| Rocky Passage | Jeremiah Chiu, Marta Sofia Honer | D Major | 1 | 10B | 135 BPM | ||
| Hopi | Woo | A Minor | 6 | 8A | 94 BPM | ||
| Ganesha | Alice Coltrane | D Major | 1 | 10B | 81 BPM | ||
| House | Ulla Straus | D♭ Major | 1 | 3B | 83 BPM | ||
| Today I Learned What Makes Bugs Sick and How To Tie My Shoelaces | Dylan Henner | F Minor | 2 | 4A | 100 BPM | ||
| Mt Baker | Kaitlyn Aurelia Smith | D♭ Minor | 3 | 12A | 120 BPM | ||
| Everyone I've Ever Loved Lives Here Together | Dylan Henner | D♭ Major | 2 | 3B | 97 BPM | ||
| Humidity | Sofie Birch, Nana Pi | F♯ Minor | 0 | 11A | 130 BPM | ||
| Mezame (Awakening) | Carlos Niño, Miguel Atwood-Fergeson | G Minor | 3 | 6A | 118 BPM | ||
| Introspection - Edit | Laraaji | A Minor | 1 | 8A | 76 BPM |