John Philip Sousa, André Rieu's ' "The Washington Post" was released on its scheduled release date, January 1, 2006. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. The Washington Post's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "New York Memories". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Washington Post's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Washington Post by John Philip Sousa, André Rieu having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Spanish Eyes | Bert Kaempfert, André Rieu, Johann Strauss Orchestra | F Major | 4 | 7B | 118 BPM | ||
| Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM | ||
| Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
| Méditation (From the Opera "Thaïs") | Jules Massenet, André Rieu, Johann Strauss Orchestra | G Minor | 2 | 6A | 137 BPM | ||
| Chanson D'Amour | Wayne Shanklin, André Rieu, Suzan Erens, Carla Maffioletti, Carmen Monarcha | F Minor | 2 | 4A | 125 BPM | ||
| Radetzky March, Op. 228: Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
| Unter Donner und Blitz, Op. 324 | Johann Strauss II, André Rieu, Johann Strauss Orchestra | G Major | 6 | 9B | 98 BPM | ||
| Jockey-Polka, Op.278 (Polka schnell) | Johann Strauss Orchestra, André Rieu | C Major | 3 | 8B | 81 BPM | ||
| Milord | Marguerite Angèle Monnot, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Vinos Mujeres y Canto | Orquesta Concierto de Viena | B♭ Major | 2 | 6B | 177 BPM | ||
| Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Waldo De Los Ríos, Orquesta Manuel de Falla | D♭ Major | 4 | 3B | 140 BPM | ||
| Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
| Vals del Emperador | Orquesta Concierto de Viena | C Major | 2 | 8B | 177 BPM | ||
| Can Can | Frank Chacksfield Orchestra | D Major | 3 | 10B | 157 BPM | ||
| Liechtenstein-Marsch, Op. 36 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack | B♭ Major | 4 | 6B | 110 BPM | ||
| Die kleine Kneipe | Pierre Kartner, André Rieu, Johann Strauss Orchestra | G Major | 4 | 9B | 90 BPM | ||
| Don't Cry for Me Argentina (From "Evita") | Andrew Lloyd Webber, André Rieu, Johann Strauss Orchestra, Mirusia | B♭ Major | 10 | 6B | 110 BPM | ||
| Vilja-Lied (From Die lustige Witwe, op. 138) | Franz Lehár, André Rieu, Johann Strauss Orchestra | D Major | 5 | 10B | 119 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| 雷神 | John Philip Sousa, Japan Air Self-Defense Force Central Band | D♭ Major | 3 | 3B | 124 BPM | ||
| Parade of the Charioteers (From "Ben-Hur") | Miklós Rózsa, André Rieu | E Minor | 8 | 9A | 124 BPM | ||
| Noches de Viena | Orquesta Filarmonica de Rumania | D Major | 3 | 10B | 174 BPM | ||
| La Paloma | Sebastián Iradier, André Rieu, Suzan Erens, Carla Maffioletti, Carmen Monarcha | F Minor | 2 | 4A | 125 BPM | ||
| Hereinspaziert! Walzer, Op. 518 | Carl Michael Ziehrer, Gustavo Dudamel, Wiener Philharmoniker | G Major | 2 | 9B | 99 BPM | ||
| True Love (From "High Society") | Cole Porter, André Rieu, Johann Strauss Orchestra | E♭ Major | 2 | 5B | 79 BPM |