"The Refuge" by Javier Navarrete had its release date on December 19, 2006. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Pan's Labyrinth (Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The Refuge is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Refuge by Javier Navarrete having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caleb Is Lost | Mark Korven | E Minor | 1 | 9A | 65 BPM | ||
| Brideshead Revisited: No. 20, Near Escape | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| Abandonment | Javier Navarrete | B Minor | 0 | 10A | 77 BPM | ||
| Hiding the Body | Johan Söderqvist | E Minor | 0 | 9A | 70 BPM | ||
| Welcome Back Subjects | Dan Romer | C Minor | 1 | 5A | 84 BPM | ||
| The End Of The World | Clinton Shorter | E Minor | 1 | 9A | 79 BPM | ||
| I Will Come for You | David Hirschfelder | F Major | 3 | 7B | 89 BPM | ||
| Lady Gresham's Ball: The Hole in the Wall - Bonus Track | Adrian Johnston, Original Soundtrack, Paul Englishby | B♭ Major | 1 | 6B | 66 BPM | ||
| Standing On The Edge Of Greatness | Anne Dudley | D Minor | 1 | 7A | 136 BPM | ||
| Mercedes Lullaby | Javier Navarrete | F Minor | 1 | 4A | 76 BPM | ||
| Enoch's Dolls | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 139 BPM | ||
| Why Do You Cry? | Angelo Badalamenti | D Minor | 1 | 7A | 64 BPM | ||
| Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 65 BPM | ||
| Andromeda | Javier Navarrete | C Minor | 2 | 5A | 146 BPM | ||
| Cesare And Lucrezia's Theme | Trevor Morris | E Minor | 1 | 9A | 134 BPM | ||
| Sur le lac gelé | Pierre Adenot | A Minor | 4 | 8A | 125 BPM | ||
| The Second Story | Mychael Danna | E Minor | 0 | 9A | 138 BPM | ||
| Jane's Escape (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | B♭ Major | 2 | 6B | 93 BPM | ||
| Fading | Antonio Pinto | B Minor | 0 | 10A | 59 BPM | ||
| Wing Of A Messenger Dove | Trevor Morris | F Major | 0 | 7B | 74 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM | ||
| Zeena's Spook Show | Nathan Johnson | B Minor | 1 | 10A | 137 BPM | ||
| Vicious | Daniel Hart, Damir Orascanin | C Major | 0 | 8B | 91 BPM | ||
| Scotland | Amelia Warner | E Minor | 2 | 9A | 88 BPM | ||
| The Embrace | Michael Nyman | D Major | 2 | 10B | 90 BPM |