"Khaleesi" by Ramin Djawadi had its release date on June 24, 2016. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ramin Djawadi's "Game of Thrones (Music from the HBO® Series - Season 6)" album is number 10 out of 26. On top of that, United States appears to be the country where this track was created. Based on our statistics, Khaleesi's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Khaleesi by Ramin Djawadi to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dragonglass | Ramin Djawadi | B♭ Major | 1 | 6B | 73 BPM | ||
| Becoming one of "The People" Becoming one with Neytiri | James Horner | D♭ Major | 1 | 3B | 71 BPM | ||
| The Kingsroad | Ramin Djawadi | C Minor | 1 | 5A | 80 BPM | ||
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| Vidi aliam bestiam | Paolo Buonvino | D Minor | 2 | 7A | 87 BPM | ||
| The destruction of Hometree | James Horner | B Minor | 3 | 10A | 77 BPM | ||
| Destiny of the Chosen | Trailerhead | B♭ Minor | 6 | 3A | 88 BPM | ||
| Arrival to Earth | Steve Jablonsky | C Minor | 4 | 5A | 79 BPM | ||
| Crusaders | Harry Gregson-Williams | F Minor | 2 | 4A | 118 BPM | ||
| House of Cards | Audiomachine | E Minor | 5 | 9A | 143 BPM | ||
| The Leftovers (Main Title Theme) | Max Richter | G Minor | 3 | 6A | 98 BPM | ||
| Many Meetings | Howard Shore | C Major | 1 | 8B | 65 BPM | ||
| Walk The Plank | Klaus Badelt | D Major | 3 | 10B | 122 BPM | ||
| The King of the Golden Hall | Howard Shore | E Minor | 1 | 9A | 139 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| A Thief's End | Henry Jackman | G Minor | 5 | 6A | 125 BPM | ||
| Poppy | Henry Jackman, Matthew Margeson | D♭ Minor | 2 | 12A | 117 BPM | ||
| San Andreas End Credits | Andrew Lockington | D Major | 7 | 10B | 130 BPM | ||
| Growing Up Londinium | Daniel Pemberton | G Major | 8 | 9B | 135 BPM | ||
| Funeral Rites | Rob Lane, The Budapest Film Orchestra and Choir, Circle Percussion Ensemble, Peter Pejtsik | D♭ Major | 1 | 3B | 146 BPM | ||
| Remembrance / Honor The Fallen | Joseph Loduca | G Major | 2 | 9B | 81 BPM | ||
| Meeting Bruce Wayne | Hildur Guðnadóttir | F♯ Minor | 4 | 11A | 100 BPM | ||
| First Regression | Jed Kurzel | D Major | 5 | 10B | 90 BPM | ||
| To Run Or Not To Run | Carter Burwell | G Major | 0 | 9B | 137 BPM | ||
| Against All Odds | Ramin Djawadi | D Minor | 6 | 7A | 82 BPM |