"why should we be apart?" by 梶浦 由記 had its release date on September 27, 2017. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. why should we be apart?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "TVアニメ『プリンセス・プリンシパル』オリジナルサウンドトラック「Sound of Foggy London」". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Japan. why should we be apart? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With why should we be apart? by 梶浦 由記 having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dearest Inuyasha | Akuya | F♯ Minor | 4 | 11A | 115 BPM | ||
| 魂の躍動 | 甲田雅人 | B♭ Minor | 5 | 3A | 91 BPM | ||
| 脱獄 | 小畑貴裕 | G Major | 7 | 9B | 160 BPM | ||
| ENDER LILIES | Binary Haze Interactive, Mili | C Minor | 2 | 5A | 149 BPM | ||
| Liberation from the Curse | Takashi Ohmama | A Minor | 1 | 8A | 172 BPM | ||
| Presentiment of Massacre | Keiichi Okabe | A Minor | 3 | 8A | 74 BPM | ||
| delete | ユナ (CV:神田沙也加) | A Minor | 8 | 8A | 157 BPM | ||
| Incertus | 梶浦 由記 | C Minor | 3 | 5A | 140 BPM | ||
| 追想 | Michiru Oshima | D Minor | 2 | 7A | 79 BPM | ||
| 戻ってきて | 甲田雅人 | A Minor | 4 | 8A | 120 BPM | ||
| A Long Long Way | The 1999 | D Major | 2 | 10B | 79 BPM | ||
| 絶対魔獣戦線:メソポタミア | 芳賀 敬太 | E♭ Minor | 7 | 2A | 130 BPM | ||
| 出撃せよ! | Michiru | B♭ Minor | 0 | 3A | 135 BPM | ||
| 願い枯れゆく歌声 | エルム凪 | F Minor | 4 | 4A | 100 BPM | ||
| When It's All Over | 帆足圭吾 | A Major | 2 | 11B | 111 BPM | ||
| 冬の日 | hil, KATE | D Minor | 7 | 7A | 140 BPM | ||
| Emil / Sacrifice | SQUARE ENIX MUSIC | G Major | 3 | 9B | 75 BPM | ||
| ロキシーからの贈り物 | 藤澤慶昌 | F Major | 1 | 7B | 75 BPM | ||
| Last Dungeon | Ryo Furukawa | E Minor | 2 | 9A | 108 BPM | ||
| auro nowe | inocencia, 魔法使いの嫁 | A Major | 4 | 11B | 64 BPM | ||
| 弓のアンソロジー | Junichi Matsumoto | D Major | 2 | 10B | 141 BPM | ||
| 想いと共に | Taro Iwashiro | G Major | 4 | 9B | 156 BPM | ||
| is this love? | 梶浦 由記 | F Major | 2 | 7B | 139 BPM | ||
| TG Symphonie | Yutaka Yamada | E Minor | 6 | 9A | 154 BPM | ||
| Confidence | 梶浦由記 | B♭ Minor | 5 | 3A | 90 BPM |