"You Can Call Me Al" by Zachary Williams had its release date on October 25, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since You Can Call Me Al only contains only one song in the album, we like to consider this song as a single. Based on our data, United States was the country where this track was produced or recorded. The popularity of You Can Call Me Al is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since You Can Call Me Al by Zachary Williams has a tempo of 167 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With You Can Call Me Al being at 167 BPM, the half-time would be 84 BPM with a double-time of 334 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Old Man | The Wailin' Jennys | B♭ Major | 1 | 6B | 81 BPM | ||
| Stir It Up | Robby Hecht, Jadea Kelly | G Major | 4 | 9B | 123 BPM | ||
| Stand by Me - Recorded at RAK Studios, London | Tom Speight | G Major | 2 | 9B | 121 BPM | ||
| Song Beneath the Song | Ben Abraham | E♭ Major | 2 | 5B | 108 BPM | ||
| Anti-Hero | The Mayries | E Major | 3 | 12B | 78 BPM | ||
| Like a Prayer | August Green | G Major | 2 | 9B | 156 BPM | ||
| Stop Draggin' My Heart Around | Molly Tuttle, Nathaniel Rateliff | D Minor | 4 | 7A | 116 BPM | ||
| I Still Haven’t Found What I’m Looking For - Acoustic | Lizzie Haynes | B Major | 1 | 1B | 84 BPM | ||
| Is This Love - Acoustic | Thomas Law | F Major | 0 | 7B | 134 BPM | ||
| The Night We Met | Colin & Caroline, Hope Morgan | C Major | 3 | 8B | 117 BPM | ||
| Brothers in Arms | Josh Ritter | B Minor | 3 | 10A | 140 BPM | ||
| Wish the Wind Would Blow Me (Frunk) | Bob Schneider | C Major | 2 | 8B | 136 BPM | ||
| The Only Living Boy in New York - Recorded at Spotify Studios NYC | Kishi Bashi | B♭ Major | 3 | 6B | 73 BPM | ||
| Strangers | Lucius | D Major | 4 | 10B | 122 BPM | ||
| These Days | Julie Byrne, Laugh Cry Laugh | B Minor | 2 | 10A | 120 BPM | ||
| The Times They Are A-Changin’ - Performance Version | Dillon James | A♭ Major | 7 | 4B | 118 BPM | ||
| dancing in the moonlight | Gracie Schram | A♭ Minor | 2 | 1A | 115 BPM | ||
| Boys of Summer (Acoustic) | Django Wallace | G Major | 1 | 9B | 148 BPM | ||
| Heart Of Glass - From "Four Weddings And A Funeral" | Lily Moore | G Major | 2 | 9B | 138 BPM | ||
| You'll Never Walk Alone | Marcus Mumford | B♭ Major | 1 | 6B | 76 BPM | ||
| Mercy Mercy Me (The Ecology) | Devon Gilfillian | A♭ Major | 5 | 4B | 97 BPM | ||
| I Ain't Worried | Mother's Daughter | G Major | 2 | 9B | 200 BPM | ||
| The Only Living Boy in New York | Matt Nathanson | B Major | 2 | 1B | 77 BPM | ||
| when the party's over | Bo Armstrong | F Major | 3 | 7B | 127 BPM | ||
| I Think We’re Alone Now | The Wild Reeds | A Major | 2 | 11B | 108 BPM |