"The Sermon" by Miklós Rózsa had its release date on January 29, 1960. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 33 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Sermon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Sermon by Miklós Rózsa is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Empire Besieged | Batu Sener | G Minor | 1 | 6A | 78 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Elizabeth: Overture | David Hirschfelder, David Hobson Chorale, Unknown Orchestra | B♭ Major | 3 | 6B | 80 BPM | ||
| A Bridge Too Far (Overture) | Czech Philharmonic Chamber Orchestra | B♭ Major | 4 | 6B | 107 BPM | ||
| Variation 1: IV. Becoming Morse | Matthew Slater, London Metropolitan Orchestra | E Minor | 1 | 9A | 170 BPM | ||
| Leviathan: IV. A Falcon, a Storm, or a Great Song, Pt. 4 | John Psathas, Alexej Gerassimez, NDR Radiophilharmonie, Gordon Hamilton | B Major | 2 | 1B | 103 BPM | ||
| Main Title & Castletown Opening | Victor Young | G Major | 1 | 9B | 134 BPM | ||
| Thoughts | Richard Morgan, Rich Morgan | D♭ Major | 3 | 3B | 160 BPM | ||
| Magic and Final Boss (16 bits) | Lautenor | B Major | 2 | 1B | 103 BPM | ||
| Lohengrin, Act III, Lohengrin, Act I: Prelude | Richard Wagner, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 0 | 11B | 89 BPM | ||
| Cliffhanger Theme | Trevor Jones | D Major | 4 | 10B | 89 BPM | ||
| Homecoming | Miklós Rózsa | D♭ Major | 4 | 3B | 128 BPM | ||
| actual | maxflow | D♭ Major | 1 | 3B | 57 BPM | ||
| Revenge | Miklós Rózsa | A Major | 1 | 11B | 61 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| THEME FROM EXCALIBUR | The Starlite Orchestra & Singers | E Minor | 3 | 9A | 90 BPM | ||
| Two Wives | Basil Poledouris | E♭ Major | 0 | 5B | 90 BPM | ||
| The Day We Fight Back | David Arnold, Nicholas Dodd | C Major | 1 | 8B | 131 BPM | ||
| Autumn Breeze | SaVaa | C Major | 2 | 8B | 107 BPM | ||
| The Tomb of Kings | Trevor Jones | G Minor | 1 | 6A | 71 BPM | ||
| Venice Carnival Appreciation | Shelly | B Minor | 1 | 10A | 140 BPM | ||
| Magical | Aliza Mammadova, Aliza | B Minor | 5 | 10A | 115 BPM | ||
| Scarlett In the Mist / Rhett Leaves | Max Steiner | F♯ Major | 3 | 2B | 84 BPM | ||
| Vapor | Mesyrea | F Minor | 6 | 4A | 154 BPM | ||
| Prelude and Overture | Alfred Newman, Lee Herschberg | B♭ Major | 3 | 6B | 88 BPM | ||
| The Winter's Tale, Act II Scene 1: Florizel and Perdita's Tryst | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | F♯ Minor | 5 | 11A | 93 BPM |