All-Night Vigil, Op. 37 "Vespers": I. Priidite, poklonimsya by Sergei Rachmaninoff, WDR Rundfunkchor, Nicolas Fink Song Details

"All-Night Vigil, Op. 37 "Vespers": I. Priidite, poklonimsya" by Sergei Rachmaninoff, WDR Rundfunkchor, Nicolas Fink had its release date on December 1, 2015. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Rachmaninoff: All-Night Vigil, Op. 37". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. All-Night Vigil, Op. 37 "Vespers": I. Priidite, poklonimsya is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With All-Night Vigil, Op. 37 "Vespers": I. Priidite, poklonimsya by Sergei Rachmaninoff, WDR Rundfunkchor, Nicolas Fink having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -23.115 dB
Acousticness: 99%
Danceability: 22%
Energy: 10%
Instrumentalness: 1%
Liveness: 33%
Loudness: 61%
Speechiness: 4%
Valence: 5%

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