Gerald Alston's ' "Any Day Now" was released on its scheduled release date, January 1, 1990. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Open Invitation". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Any Day Now is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Any Day Now by Gerald Alston having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thank You For The Moment | David Peaston | F♯ Major | 3 | 2B | 127 BPM | ||
| Too Good to Let You Go | Angela Winbush | C Minor | 6 | 5A | 136 BPM | ||
| Love Hurts | LSG | A Minor | 4 | 8A | 114 BPM | ||
| Can We Spend Some Time | Surface | G Major | 4 | 9B | 128 BPM | ||
| Wildflower | Lisa Fischer | G Minor | 4 | 6A | 114 BPM | ||
| I Should Have Loved You | Chuckii Booker | G Minor | 4 | 6A | 104 BPM | ||
| Is It Gonna Be Me & You | Margie Joseph | A Major | 5 | 11B | 149 BPM | ||
| In The Meantime | Willie Bradley, Gerald Alston | F♯ Major | 3 | 2B | 86 BPM | ||
| Insatiable Woman - 12" Version | Isley, Jasper, Isley | A♭ Major | 6 | 4B | 76 BPM | ||
| Love Struck | Enchantment | D Major | 5 | 10B | 141 BPM | ||
| I Choose You (Tonight) | Eugene Wilde | D Major | 6 | 10B | 150 BPM | ||
| Dirty Dancin' (Slow Motion) | Walter & Scotty | E♭ Minor | 5 | 2A | 171 BPM | ||
| I Will Be There | Carl Anderson | E Minor | 6 | 9A | 147 BPM | ||
| Person To Person | Vesta Williams | B Minor | 7 | 10A | 137 BPM | ||
| So Intense | Lisa Fischer | A Major | 8 | 11B | 80 BPM | ||
| Reservations for Two (with Kashif) | Dionne Warwick, Kashif | E♭ Major | 4 | 5B | 131 BPM | ||
| Babies Having Babies | Terry Tate | C Minor | 5 | 5A | 147 BPM | ||
| All I Want Is You | Surface | C Minor | 5 | 5A | 117 BPM | ||
| Rest My Lips | Walter & Scotty | G Minor | 7 | 6A | 78 BPM | ||
| Are You Still in Love with Me | Keith Washington | B Major | 7 | 1B | 142 BPM | ||
| If I Had To Live My Life Without You | Everette Harp | E♭ Major | 7 | 5B | 68 BPM | ||
| Flirting With An Angel | Gary Taylor | F Minor | 2 | 4A | 129 BPM | ||
| Round and Round | Glenn Jones | A Minor | 5 | 8A | 126 BPM | ||
| Take Me Where You Want To | Gerald Alston | G Minor | 7 | 6A | 124 BPM | ||
| Pillow Talk | Chantay Savage | B♭ Major | 5 | 6B | 134 BPM |