On January 1, 1965, the song "Such A Night" was released by Shirley Ellis. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Such A Night's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Name Game". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Such A Night's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Such A Night by Shirley Ellis having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tell Him - Unedited Version | The Exciters | E Major | 7 | 12B | 86 BPM | ||
| You Talk Too Much | Joe Jones | D Major | 7 | 10B | 126 BPM | ||
| Ride Your Pony - 2024 Remastered | Betty Harris | B♭ Minor | 7 | 3A | 123 BPM | ||
| I Got To Find Me Somebody | The Velvets | B♭ Minor | 10 | 3A | 147 BPM | ||
| Crooked Woman | Edd Henry | B♭ Minor | 8 | 3A | 86 BPM | ||
| Jambo | Claude McLin | C Major | 7 | 8B | 206 BPM | ||
| BABY CAKES | Dee Dee Sharp | E♭ Major | 8 | 5B | 133 BPM | ||
| Smooth Operator | Sarah Vaughan | A♭ Major | 5 | 4B | 130 BPM | ||
| Keep On Keeping On | Ruby Johnson | D Major | 6 | 10B | 162 BPM | ||
| Apples, Peaches, Pumpkin Pie | Jay & The Techniques | B♭ Major | 7 | 6B | 140 BPM | ||
| If You Gotta Make a Fool of Somebody | James Ray | A♭ Major | 5 | 4B | 130 BPM | ||
| Thirteen Men | Ann-Margret | D♭ Major | 6 | 3B | 76 BPM | ||
| Little Chickie Wah Wah | Huey "Piano" Smith | C Major | 8 | 8B | 126 BPM | ||
| Can You Hear Me | Lee Dorsey | F Minor | 5 | 4A | 98 BPM | ||
| A Woman Is Smarter in Every Kinda Way | Jimmy Soul | A♭ Major | 5 | 4B | 130 BPM | ||
| TAKIN’ CARE OF BUSINESS | Shirley Ellis | D♭ Major | 8 | 3B | 145 BPM | ||
| In Orbit | Joy Lovejoy | A♭ Minor | 9 | 1A | 135 BPM | ||
| First I Look At The Purse | The Contours | D Minor | 7 | 7A | 80 BPM | ||
| The Hamburger Song | Bobby Moore & The Rhythm Aces | C Major | 4 | 8B | 137 BPM | ||
| Getting Mighty Crowded | Betty Everett | F Major | 5 | 7B | 124 BPM | ||
| I'm Into Something Good | The Cookies | A♭ Major | 5 | 4B | 130 BPM | ||
| LIGHTNIN’ STRIKES | Lou Christie | E♭ Major | 7 | 5B | 134 BPM | ||
| I'm into Somethin' Good - Remastered Single Version | Earl-Jean | E♭ Major | 7 | 5B | 121 BPM | ||
| I'll Do Anything | Doris Troy | E♭ Major | 6 | 5B | 123 BPM | ||
| Little Egypt (Ying-Yang) | The Coasters | B♭ Major | 3 | 6B | 116 BPM |