"Jail Cell" by Charles Bernstein had its release date on November 16, 1984. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wes Craven's A Nightmare on Elm Street (Original Motion Picture Soundtrack) by Charles Bernstein. The song's track number on the album is #14 out of 34 tracks. In terms of popularity, Jail Cell is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Jail Cell by Charles Bernstein has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Jail Cell being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Child's Play Theme | Retrospectre | B Minor | 8 | 10A | 152 BPM | ||
| Five Pieces For Orchestra, OP 10 (Sehr-langsam und ausserst ruhig) | The National Philharmonic Orchestra-Conducted by Leonard Slatkin | F♯ Minor | 1 | 11A | 104 BPM | ||
| Sad Memories | Roque Baños | D Minor | 0 | 7A | 69 BPM | ||
| The Truck | Steve Moore | A Major | 7 | 11B | 134 BPM | ||
| Dazed | Marc Streitenfeld | E Minor | 1 | 9A | 83 BPM | ||
| Dubitatio | Mark Snow | D♭ Major | 2 | 3B | 111 BPM | ||
| Terminator Gets Guns / Search for Sarah | Brad Fiedel | D Major | 2 | 10B | 65 BPM | ||
| Graveyard Ghosts | Cybermonsters | C Major | 3 | 8B | 91 BPM | ||
| the Conjuring | joseph bishara | D Major | 1 | 10B | 86 BPM | ||
| Epilogue | John Harrison | D♭ Major | 5 | 3B | 136 BPM | ||
| The House | Pino Donaggio | C Minor | 3 | 5A | 89 BPM | ||
| Doctor Sleep | The Newton Brothers | G Major | 0 | 9B | 100 BPM | ||
| Sonovabitch | Mark Korven | E Major | 0 | 12B | 111 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| Slappy's Headache (From "Night of the Living Dummy 2") | Jack Lenz | C Major | 9 | 8B | 105 BPM | ||
| Jason Hung | Harry Manfredini | A Minor | 2 | 8A | 0 BPM | ||
| Ash's Dream / Dancing Game / Dance of the Dead | Joseph Loduca | E♭ Minor | 3 | 2A | 119 BPM | ||
| Demon Possession | Roque Baños | G Major | 4 | 9B | 98 BPM | ||
| Keep a Cool Head (Aka Main Title) | Harry Manfredini | E Major | 4 | 12B | 80 BPM | ||
| Concussed | Andrew Hulshult | A Minor | 2 | 8A | 87 BPM | ||
| Main Title | Tobe Hooper and Wayne Bell | D♭ Major | 5 | 3B | 61 BPM | ||
| Close to the Hell | George Woode | D Minor | 4 | 7A | 119 BPM | ||
| Vampire Castle Sounds | Cybermonsters | A Minor | 4 | 8A | 73 BPM | ||
| Prologue (A Nightmare on Elm Street) | Charles Bernstein | G Major | 0 | 9B | 0 BPM | ||
| Drive To Siege | Charles Bernstein | F Minor | 1 | 4A | 60 BPM |