角野 裕, 角野怜子's '組曲《ドリー》作品56から「子ねこのワルツ」' had a release date set for March 1, 1990. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. 組曲《ドリー》作品56から「子ねこのワルツ」's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ピアノ連弾シリーズ フランス3大連弾曲 ドリー / 小組曲 / マ・メール・ロワ, so we believe that "組曲《ドリー》作品56から「子ねこのワルツ」" is a single. Based on our statistics, 組曲《ドリー》作品56から「子ねこのワルツ」's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 組曲《ドリー》作品56から「子ねこのワルツ」 by 角野 裕, 角野怜子 is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miscellanea, Op. 16 No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Anna Miernik | C Major | 2 | 8B | 77 BPM | ||
| 12 One-Page Piano Pieces: Russian waltz | Elena Kats-Chernin, Caroline Almonte | G Minor | 1 | 6A | 74 BPM | ||
| Serenity | Hisako Hirata | C Major | 0 | 8B | 72 BPM | ||
| Moonlit Murmurs | Victor Duvall | C Major | 2 | 8B | 77 BPM | ||
| くるみわり人形 序曲 - 練習用マイナス・ワン | 角野 裕, 角野怜子 | E Minor | 1 | 9A | 119 BPM | ||
| 子供の情景, 作品15: 第7曲 トロイメライ | Robert Schumann, 中野翔太 | F♯ Major | 2 | 2B | 106 BPM | ||
| Waltz of the Forgotten Star | Aurora Calvert | E Minor | 1 | 9A | 74 BPM | ||
| Pastels, Op. 3: No. 3 Song of Autumn | Aleksandr Gretchaninov, Jeremy Cullen | E♭ Major | 2 | 5B | 99 BPM | ||
| Evocazione n.18 (Rivelazione) | DAVIDE FERRO | C Major | 2 | 8B | 77 BPM | ||
| Mare | Jorisu Kanzaki | G Minor | 1 | 6A | 149 BPM | ||
| Silk Scarf | Giulio Bas, Anna Miernik | G Minor | 1 | 6A | 91 BPM | ||
| Preludes, Op.31 (2003 - Remaster): No.13 (Cantique des cantiques) | Charles-Valentin Alkan, Ronald Smith | B♭ Minor | 0 | 3A | 88 BPM | ||
| Three Waltzes with a Postlude, Op. 3 (To André Volkonsky): III. Vivace | Valentin Silvestrov, Alexei Lubimov | A♭ Major | 0 | 4B | 67 BPM | ||
| くるみわり人形 おかしの国 - 練習用マイナス・ワン | 角野 裕, 角野怜子 | E Major | 1 | 12B | 186 BPM | ||
| Two Sets of Standards | David Tarrodi | C Major | 1 | 8B | 131 BPM | ||
| 6 Studies for Piano "Around the Film Music": No. 3 | Carlo Balzaretti | A Major | 1 | 11B | 70 BPM | ||
| In The Gloaming | Yuhki Kuramoto | B Major | 2 | 1B | 78 BPM | ||
| 7 Fantasien, Op. 116: IV. Intermezzo (Adagio) | Johannes Brahms, Axel Gillison | D Minor | 2 | 7A | 125 BPM | ||
| 8 Klavierstücke, Op. 76: VII. Intermezzo (Moderato semplice) | Johannes Brahms, Axel Gillison | F♯ Minor | 0 | 11A | 68 BPM | ||
| Symphonic Etudes, Op. 13: Variation V - Posth. | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | ||
| Discoveries, Episode 3 | Tomasz Trzcinski | D Major | 1 | 10B | 90 BPM | ||
| バウムクーヘン | 湯山昭, Yuko Mifune | G Minor | 1 | 6A | 80 BPM | ||
| Song for the Evening | Michael Blake, Antony Gray | A Minor | 0 | 8A | 92 BPM | ||
| 16 Waltzes, Op. 39: No. 3 in G-Sharp Minor | Johannes Brahms, Axel Gillison | B Major | 0 | 1B | 66 BPM | ||
| Gnossienne No.3 | Mu Dimon, Songs of Birdland | A♭ Major | 0 | 4B | 65 BPM |