BAPS Swaminarayan Sanstha's ' "Mavaji Muj Par" was released on its scheduled release date, September 15, 2025. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Purushottam Pragat Malya". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Mavaji Muj Par is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mavaji Muj Par by BAPS Swaminarayan Sanstha having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swagatam Swagatam | BAPS Swaminarayan Sanstha | D Major | 5 | 10B | 117 BPM | ||
| Ranat Mor Aaravila | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Chalne Chhodi Kesudi | Kamlesh Barot | G Major | 10 | 9B | 108 BPM | ||
| Moreshwar Tu Siddhivinayak | Anupama | C Major | 7 | 8B | 105 BPM | ||
| Antaro Bahire | Amrik Singh Arora | C Minor | 5 | 5A | 82 BPM | ||
| Hare Krishna Vol 2 Part 2 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Hi Kahani Tujhyach Nahanyachi | Bhimrao Panchale | F♯ Major | 5 | 2B | 107 BPM | ||
| Kolkata Kebol Bhule Bhora | Ramkumar Chattopadhyay | C Minor | 4 | 5A | 78 BPM | ||
| Jai Sheran Waliye Bheint | Vishal Khera | A♭ Major | 8 | 4B | 94 BPM | ||
| Kayabeku Vaayu Suthane | Anantha Kulkarni | G Major | 7 | 9B | 158 BPM | ||
| Ishwar Balo Khoda Balo | Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 88 BPM | ||
| Hare Krishna Vol 6 Part 1 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Shanidev Vandan | Nitin Devka | B Major | 3 | 1B | 75 BPM | ||
| Pratahkalnu Devvandan | SRMD Bhakti | F Minor | 3 | 4A | 88 BPM | ||
| Jalaram Bavani | Kardam Sharma Joshi, Kavita Raam | F♯ Major | 7 | 2B | 128 BPM | ||
| Naag Shanti Stotram | Mangesh Borgaonkar | G Major | 7 | 9B | 96 BPM | ||
| Akalkoticha Swami Tu | Mahendra Warekar, Ravindra Sathe | C Major | 6 | 8B | 100 BPM | ||
| Maiya Mangu Tari Paas | Kanu Patel | B♭ Minor | 5 | 3A | 86 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM | ||
| Kanda Mula Bhaji | Ajit Kadkade | B♭ Minor | 7 | 3A | 113 BPM | ||
| Mogara Phulala | Shubhangi Joshi, Mahesh Hiremath | F♯ Major | 4 | 2B | 116 BPM | ||
| Trishulavari Kashipuri Chakravarti Pandhari Aabhang | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Pragat Thaya Prabhu Chhapaiya Gam Re | Hasmukh Patadiya | G Major | 6 | 9B | 114 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Ja Re Jare Ja Tu Pakhara | Yuvraj Pradhan | D♭ Minor | 6 | 12A | 155 BPM |