"The Visitor at Himmel Street" by John Williams had its release date on November 11, 2013. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. The Visitor at Himmel Street's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Book Thief (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. The Visitor at Himmel Street is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Visitor at Himmel Street by John Williams having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| Jessie and Norman | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| No Tears | Anne Dudley | B Major | 1 | 1B | 115 BPM | ||
| Lamia's Doll | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A Major | 3 | 11B | 87 BPM | ||
| Bedtime Without Mom | Deborah Lurie | G Minor | 0 | 6A | 81 BPM | ||
| Recovery | Nigel Westlake | B Minor | 1 | 10A | 77 BPM | ||
| All Lit Up | Craig Armstrong | G Major | 1 | 9B | 140 BPM | ||
| Arthur and the Madness of Love | Rohan Stevenson | B♭ Minor | 2 | 3A | 109 BPM | ||
| After Persephone's Fall | James Schafer | B♭ Minor | 0 | 3A | 134 BPM | ||
| Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM | ||
| Sand Between Stars | Joseph R Dolan, Ghibli | A Major | 3 | 11B | 142 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Mirrors | Martin Phipps | E♭ Minor | 2 | 2A | 68 BPM | ||
| There Is A River... | Jan A.P. Kaczmarek | C Major | 1 | 8B | 56 BPM | ||
| Flying with Chewie | John Powell | F Major | 5 | 7B | 127 BPM | ||
| Austria (From the HBO Miniseries "Band of Brothers" Soundtrack) | Michael Kamen, London Metropolitan Orchestra, John Anderson, Dave Lee, Maire Brennan, Zoe Kamen, Julie Andrews | B♭ Major | 1 | 6B | 86 BPM | ||
| End Credits | John Williams | E Minor | 1 | 9A | 73 BPM | ||
| Verdict | Nico Muhly | A♭ Major | 1 | 4B | 70 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| A Son Named Jesus | John Debney | F Minor | 1 | 4A | 79 BPM | ||
| I Hear Wolves | James Schafer | B♭ Minor | 0 | 3A | 134 BPM | ||
| Sehnsuchtsmelodie | Helene von Alpenheim | B♭ Major | 1 | 6B | 69 BPM | ||
| The Crab | Johan Söderqvist, Hans Ek, Philharmonia Orchestra | G Major | 0 | 9B | 68 BPM | ||
| Escapades for Alto Saxophone and Orchestra from "Catch Me If You Can": Movement 2: Reflections | John Williams, Dan Higgins, Martin Grubinger, Michael Valerio, Recording Arts Orchestra of Los Angeles | G Major | 0 | 9B | 110 BPM | ||
| Brideshead Revisited: No. 3, Guilt | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | G Minor | 1 | 6A | 83 BPM |