On October 25, 1994, the song "気になる17才" was released by あいざき 進也. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 12 in Best of Shinya by あいざき 進也. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of 気になる17才 is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 気になる17才 by あいざき 進也 is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| メモリーグラス | Jun Horie | D♭ Minor | 4 | 12A | 144 BPM | ||
| 純潔 | Saori Minami | B Minor | 7 | 10A | 138 BPM | ||
| サヨナラ模様 | 伊藤敏博 | F Minor | 4 | 4A | 134 BPM | ||
| 八十八夜 | N.S.P | E Minor | 4 | 9A | 150 BPM | ||
| 追憶 | Kenji Sawada | E Major | 7 | 12B | 86 BPM | ||
| 渚のうわさ | Mieko Hirota | A Major | 4 | 11B | 118 BPM | ||
| カラスの女房 | Takao Horiuchi | F♯ Minor | 5 | 11A | 138 BPM | ||
| よせばいいのに | 敏いとうとハッピー&ブルー | B♭ Minor | 3 | 3A | 80 BPM | ||
| たそがれの銀座 | ロス・プリモス | A Major | 5 | 11B | 101 BPM | ||
| ほほにキスして - 2013 version | Keiko Mizukoshi | A Major | 7 | 11B | 129 BPM | ||
| 星降る街角 | 敏いとうとハッピー&ブルー | B Minor | 9 | 10A | 158 BPM | ||
| 私鉄沿線 | Goro Noguchi | F Minor | 6 | 4A | 173 BPM | ||
| ダニーボーイに耳をふさいで | Kai Band | D Minor | 4 | 7A | 123 BPM | ||
| 別れの朝 - 2011 Remaster | 朱里エイコ | D Minor | 5 | 7A | 97 BPM | ||
| エスカレーション | Naoko Kawai | D Minor | 7 | 7A | 145 BPM | ||
| クライマックス御一緒に | あんみつ姫(小泉今日子) | D♭ Major | 5 | 3B | 100 BPM | ||
| 春ラ!ラ!ラ! | Mako Ishino | E♭ Major | 8 | 5B | 159 BPM | ||
| 女の十字路 | Takashi Hosokawa | C Major | 5 | 8B | 126 BPM | ||
| 恋曼陀羅 | Tomio Umezawa | A Minor | 5 | 8A | 135 BPM | ||
| おくさまは18才 | Yuki Okazaki | C Major | 3 | 8B | 137 BPM | ||
| すこしだけ やさしく - Bonus Track | Hiroko Yakushimaru | A♭ Major | 6 | 4B | 115 BPM | ||
| 恋のインディアン人形 | Rinrin & Ranran | D♭ Major | 7 | 3B | 125 BPM | ||
| 幸福 (しあわせ) への招待 | Masaaki Sakai | D♭ Major | 4 | 3B | 108 BPM | ||
| その気にさせないで | キャンディーズ | F♯ Minor | 8 | 11A | 104 BPM | ||
| 夜霧のブルース | ディック・ミネ | A Minor | 2 | 8A | 84 BPM |