On 1979, the song "La Vaina Ya Se Formó" was released by Los Gaiteros de San Jacinto, Trópico 70s (Músicas Tropicales de Colombia, 1970-1980). With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Los Gaiteros de San Jacinto, Trópico 70s (Músicas Tropicales de Colombia, 1970-1980)'s "La Vaina Ya Se Formó" album is number 3 out of 10. On top of that, Colombia appears to be the country where this track was created. La Vaina Ya Se Formó is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of La Vaina Ya Se Formó by Los Gaiteros de San Jacinto, Trópico 70s (Músicas Tropicales de Colombia, 1970-1980) to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Gallito de Flor | Gaiteros de Pueblo Santo | B♭ Minor | 5 | 3A | 140 BPM | ||
| El Hueso | Petrona Martinez | C Major | 9 | 8B | 84 BPM | ||
| Tumbélé wai cé éma | Les Rapaces | D Major | 6 | 10B | 110 BPM | ||
| La Rubia De Oro | Boogaloo | A Major | 8 | 11B | 125 BPM | ||
| Sielva María | Alejandro Durán | D Major | 5 | 10B | 108 BPM | ||
| Se Cayo el Palo | Dolcey Gutierrez | F♯ Minor | 5 | 11A | 82 BPM | ||
| La Turbina | Elio Boom | D♭ Major | 6 | 3B | 124 BPM | ||
| El Manolo | Los Gaiteros de San Jacinto | B Major | 2 | 1B | 90 BPM | ||
| De Que Me Voy, Me Voy - Porro | Los Piratas de San Felipe, Trópico 70s (Músicas Tropicales de Colombia, 1970-1980) | F Minor | 7 | 4A | 103 BPM | ||
| Timba y Tambo | Rufo Garrido, Tony Zúñiga | E♭ Major | 9 | 5B | 149 BPM | ||
| María Varilla - Instrumental | Banda 19 de Marzo de Laguneta | B Major | 9 | 1B | 101 BPM | ||
| Guaguancó De Los Violentos | Onda Panamericana, Trópico 70s (Músicas Tropicales de Colombia, 1970-1980) | G Minor | 6 | 6A | 100 BPM | ||
| Rosita | Los Gaiteros de San Jacinto | B Minor | 6 | 10A | 91 BPM | ||
| Compadrito | Rufo Garrido, Crescencio Camacho | F♯ Major | 7 | 2B | 102 BPM | ||
| La Hamaca Grande | Los Ocho De Colombia, Trópico 70s (Músicas Tropicales de Colombia, 1970-1980) | F Minor | 7 | 4A | 103 BPM | ||
| Los Pasteles | Champetas Africanas, Justo Valdez | F♯ Major | 7 | 2B | 128 BPM | ||
| Negra Zaramuya | Tato Marenco, Los Gaiteros de San Jacinto | B Minor | 7 | 10A | 95 BPM | ||
| Ojos de Luna Menguante | Son de la Provincia | B Minor | 7 | 10A | 152 BPM | ||
| La Canillona | Juan Piña | B♭ Major | 4 | 6B | 168 BPM | ||
| Dame Tu Perdon | El Encanto | C Major | 7 | 8B | 112 BPM | ||
| Palo de Agua - Instrumental | Los Tupamaros | G Major | 5 | 9B | 134 BPM | ||
| La Ripiá | Totó La Momposina | E Major | 7 | 12B | 93 BPM | ||
| La Perrera | Melchor ''El Cruel'' | C Major | 7 | 8B | 119 BPM | ||
| Indios Farotos | Totó La Momposina | F Major | 7 | 7B | 81 BPM | ||
| Adelante | King Nando | D Major | 8 | 10B | 112 BPM |