"The Last Trip to Japan" by Ryuichi Sakamoto had its release date on December 12, 2007. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. The Last Trip to Japan's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "SILK". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Japan. The Last Trip to Japan is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Last Trip to Japan by Ryuichi Sakamoto having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| White Landscapes, Op. 47a: I. Divination by Snow. Adagio | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price | E Minor | 0 | 9A | 58 BPM | ||
| mono | Fennesz, Ryuichi Sakamoto | B♭ Minor | 2 | 3A | 85 BPM | ||
| Asa | Daigo Hanada, Yoko Komatsu | C Minor | 0 | 5A | 179 BPM | ||
| Marginalia #92 | Masakatsu Takagi | F♯ Minor | 1 | 11A | 128 BPM | ||
| Clair de Lune | Claude Debussy, Hayato Sumino | B♭ Major | 0 | 6B | 68 BPM | ||
| The Last One | Chicco Birds | B♭ Minor | 0 | 3A | 75 BPM | ||
| Fons | Marihiko Hara | C Minor | 0 | 5A | 53 BPM | ||
| girls | Masakatsu Takagi | F♯ Major | 3 | 2B | 147 BPM | ||
| Snowfall Lull | Naskal | D Minor | 5 | 7A | 120 BPM | ||
| Ryuichi Sakamoto: Tamago 2004 | Helena Basilova | F Major | 0 | 7B | 73 BPM | ||
| Opus | Feico Deutekom | E♭ Minor | 1 | 2A | 128 BPM | ||
| Dawn After Darkness | Cicada | D♭ Major | 2 | 3B | 114 BPM | ||
| I Am Water | Masakatsu Takagi | F♯ Major | 1 | 2B | 80 BPM | ||
| 砂と貝殻 | Taeko Onuki, Ryuichi Sakamoto | A Major | 2 | 11B | 81 BPM | ||
| Wide Distance | Roven Sil | D Minor | 5 | 7A | 120 BPM | ||
| KAREN | Hiroshi Fujiwara | C Major | 1 | 8B | 144 BPM | ||
| 松葉上的鳥與水珠 Birds and Moist Pine Needles | Cicada | F Minor | 2 | 4A | 120 BPM | ||
| Green Tea Farm | Hiromi | A♭ Major | 4 | 4B | 80 BPM | ||
| Dance PM | Hiroshi Yoshimura | D Minor | 5 | 7A | 120 BPM | ||
| energy flow | Ryuichi Sakamoto | A Minor | 1 | 8A | 84 BPM | ||
| Windows Hold Light | Amiro Vale | D Minor | 5 | 7A | 120 BPM | ||
| 立秋 | MEITEI | A Minor | 0 | 8A | 120 BPM | ||
| Grazia | Marihiko Hara | D Major | 0 | 10B | 133 BPM | ||
| Opening1(Mask) | Takeshi Kobayashi | C Major | 1 | 8B | 126 BPM |