Harry Secombe's 'Hello, Young Lovers (From the King and I)' had a release date set for May 15, 2017. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 67 in the song's album "Showtunes Hymns and Arias". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Hello, Young Lovers (From the King and I) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hello, Young Lovers (From the King and I) by Harry Secombe having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Count Your Blessings | Josef Locke | E♭ Major | 2 | 5B | 87 BPM | ||
| The Yellow Rose of Texas | michael holliday | G Major | 4 | 9B | 95 BPM | ||
| Thine Alone | Kathryn Grayson | B Minor | 2 | 10A | 89 BPM | ||
| Still | Ken Dodd | E♭ Major | 3 | 5B | 90 BPM | ||
| Dusk Along the Mall | Ekofola | E♭ Major | 2 | 5B | 129 BPM | ||
| The Song of the Dong | Monty James, Roy Castle, Hattie Jacques, Harry Secombe | A Major | 2 | 11B | 103 BPM | ||
| Blow The Wind Southerly | Kathleen Ferrier | D♭ Major | 1 | 3B | 132 BPM | ||
| Indian Love Call (from "Rose Marie") - 2006 Remaster | Jeanette MacDonald, Nelson Eddy | F Major | 2 | 7B | 173 BPM | ||
| Merry Widow Waltz | Harry Secombe, Moira Anderson | G Major | 3 | 9B | 131 BPM | ||
| Eight by Ten | Ken Dodd | D♭ Major | 4 | 3B | 107 BPM | ||
| Sweet Sacrement Devine | Michael Nash | E Major | 1 | 12B | 83 BPM | ||
| Faded Words | Des O'Connor | D Major | 2 | 10B | 95 BPM | ||
| Granada | Agustín Lara, Dorothy Eva Dodd, Harry Secombe | B Major | 2 | 1B | 83 BPM | ||
| The Psalms | Harmonious Chorale Ghana | D♭ Minor | 6 | 12A | 108 BPM | ||
| Aseda | Lordina The Soprano | E Major | 4 | 12B | 176 BPM | ||
| Caro Mio Ben | Paul Potts | G Minor | 3 | 6A | 73 BPM | ||
| High Society: True Love | Bing Crosby & Grace Kelly | G Major | 2 | 9B | 137 BPM | ||
| Go To Hell World! | Sarah Dacey, Belinda Jones | F Minor | 0 | 4A | 66 BPM | ||
| Take Me Home | London Welsh Male Voice Choir | E Major | 3 | 12B | 101 BPM | ||
| Danny Boy | Brendan Bowyer | E Major | 1 | 12B | 78 BPM | ||
| Serenade | Mario Lanza, Constantine Callinicos | E♭ Major | 4 | 5B | 81 BPM | ||
| Keep the home fires burning | John McCormack | A Major | 1 | 11B | 59 BPM | ||
| Llef | Rhos Male Voice Choir | G Minor | 1 | 6A | 86 BPM | ||
| Deus Salutis (Llef) | London Welsh Male Voice Choir, Edward-Rhys Harry, Annabel Thwaite | G Minor | 4 | 6A | 98 BPM | ||
| Morning Has Broken | Finbar Wright | D Major | 2 | 10B | 83 BPM |