Vaishali Samant's ' "Tumhi Yetana Kela Eshara" was released on its scheduled release date, May 16, 2018. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 7 in Farzand (Original Motion Picture Soundtrack) by Kedar Divekar, Amitraj. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Tumhi Yetana Kela Eshara is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tumhi Yetana Kela Eshara by Vaishali Samant is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swapnaat Rang Bhartana | Swapnil Bandodkar, Vaishali Samant | E Major | 7 | 12B | 81 BPM | ||
| Aai Majhi Konala Pavli | Mangesh Datta | B♭ Minor | 7 | 3A | 125 BPM | ||
| Gulabachi Kali - From "Tu Hi Re" | Vaishali Samant, Urmila Dhangar, Amitraj | A Major | 9 | 11B | 128 BPM | ||
| Paus | Ketaki Mategaonkar | F♯ Major | 7 | 2B | 124 BPM | ||
| Daul Moracha Manacha | Hridaynath Mangeshkar | A Major | 4 | 11B | 80 BPM | ||
| Manda Majhi Shikleli Nhavati Na | Animesh Thakur | A♭ Major | 8 | 4B | 80 BPM | ||
| Aamdar Zalya Sarkha Vatatay | Sankalp Gole | F♯ Major | 9 | 2B | 135 BPM | ||
| Bhimrayavani Pudhari Hoil Ka | Milind Shinde | A♭ Major | 5 | 4B | 94 BPM | ||
| Anjichya Haldicha - From "Anjichya Haldicha" | Bharti Madhavi, Pravin Kuwar | C Major | 9 | 8B | 89 BPM | ||
| Navhati Kunachi Kadar Mi | DJ NeSH | E Minor | 10 | 9A | 101 BPM | ||
| Aai Darshan Ghein Mi | Meera Karlekar | F♯ Major | 8 | 2B | 87 BPM | ||
| Veer Marathe | Shreyash Jadhav (The King JD) | D Major | 9 | 10B | 107 BPM | ||
| Mangalashtaka | Shankar Mahadevan | F♯ Major | 6 | 2B | 170 BPM | ||
| Patlin Bai | Harshavardhan Wavare, Pankaj Warungase, Anuja Deore | A♭ Major | 6 | 4B | 105 BPM | ||
| Devicha Gondhal | Nandesh Umap, Upendra Limaye, Pravin Tarde, Sunil Abhyankar, Kshitij Date, Devendra Gaikwad | A♭ Major | 7 | 4B | 120 BPM | ||
| Mitra Vanavyamadhe Garavya Sarakha | Kishor Jawale | F♯ Minor | 9 | 11A | 140 BPM | ||
| Vedi Zali Radha | Suryakant Shinde | A♭ Major | 7 | 4B | 111 BPM | ||
| Dil maaza wonly tula | Shreya Ghoshal | F Minor | 6 | 4A | 105 BPM | ||
| Kalajat Mukkam Kela | Vaishali Samant | A♭ Major | 6 | 4B | 105 BPM | ||
| Maza Chintamani Aala | Akshay Anant Patil | F Minor | 8 | 4A | 157 BPM | ||
| Nako Nako Na Re | Sayali Pankaj | B Major | 4 | 1B | 156 BPM | ||
| Olya Sanj Veli | Bela Shende, Swapnil Bandodkar | C Major | 9 | 8B | 118 BPM | ||
| Vallav Re Nakhwa | Arpita Chakraborty | B♭ Major | 4 | 6B | 114 BPM | ||
| Ekach vada aamcha raju dada | Parmesh Mali | C Major | 9 | 8B | 90 BPM | ||
| Dhuvun Taak | Ajay Gogavale | C Major | 9 | 8B | 105 BPM |