"Nocturne in C-Sharp Minor, Op. Posth." by Frédéric Chopin, Jan Lisiecki had its release date on March 10, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 17 in Chopin: Works For Piano & Orchestra by Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Nocturne in C-Sharp Minor, Op. Posth. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne in C-Sharp Minor, Op. Posth. by Frédéric Chopin, Jan Lisiecki is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne No.18 in F Major, H.62 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 72 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Arr. Kempff for Piano) | George Frideric Handel, Seong-Jin Cho | G Minor | 0 | 6A | 73 BPM | ||
| Nocturne No. 1 in B-Flat Minor, Op. 9: I. Larghetto | Frédéric Chopin, Claire Huangci | D♭ Major | 0 | 3B | 79 BPM | ||
| El cant dels ocells | Pablo Casals, Pablo Ferrandez, Radoslaw Szulc, Stuttgart Philharmonic Orchestra | A Minor | 0 | 8A | 74 BPM | ||
| Nabucco / Act III: "Va, pensiero" (Arr. by Mathieu Herzog for Cello and Orchestra) | Giuseppe Verdi, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F♯ Major | 0 | 2B | 89 BPM | ||
| Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
| Lieder ohne Worte II, Op. 30: VI. Venetian Gondola Song. Allegretto, MWV U110 (Arr. Ottensamer for Clarinet & Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 133 BPM | ||
| Etudes-Tableaux, Op. 33, No. 2 in C Major | Hélène Grimaud | F Major | 0 | 7B | 84 BPM | ||
| Valse Fantaisie, Op. 49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
| I'm Going to Make a Cake (from "The Hours" Soundtrack) | Philip Glass, Khatia Buniatishvili | A Minor | 0 | 8A | 81 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Satie: Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Minor | 0 | 7A | 86 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | Frédéric Chopin, Maria João Pires, Royal Philharmonic Orchestra, André Previn | A♭ Major | 0 | 4B | 99 BPM | ||
| Chopin: Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | E Major | 0 | 12B | 91 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon (Instrumental Version) | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate | D Major | 0 | 10B | 77 BPM | ||
| Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) | Clara Schumann, Magdalena Hoffmann | D Minor | 0 | 7A | 76 BPM | ||
| Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
| The Armed Man - A Mass For Peace: III. Kyrie | Karl Jenkins | D Minor | 1 | 7A | 63 BPM | ||
| Preludes, Op. 28: No. 4 Largo in E Minor, C.169 | Frédéric Chopin, Nino Gvetadze | C Major | 0 | 8B | 66 BPM | ||
| Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | D Major | 2 | 10B | 142 BPM | ||
| Nocturne No. 13 in C Major “Rêverie-Nocturne”, H.45 | John Field, Elizabeth Joy Roe | C Major | 1 | 8B | 115 BPM | ||
| Serenade No. 1 in D Major, Op. 9: I. Andante | Robert Fuchs, Kolner Kammerorchester, Christian Ludwig | C Minor | 1 | 5A | 111 BPM |