U. Srinivas's ' "Bhavanutha" was released on its scheduled release date, January 1, 2006. This song appears to be safe for all ages as it is not explicit. The track order of this song in Various Artists's "Mandolin U. Srinivas - Vol - 1" album is number 5 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Bhavanutha is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bhavanutha by U. Srinivas to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Srinivasa: Hamsanandi - Papanasam Sivan | Papanasam Sivan, N. Ramani | B Major | 1 | 1B | 121 BPM | ||
| Payoji | Mysore M. Nagaraj, Pravin Godkhindi | A Major | 8 | 11B | 155 BPM | ||
| Thillana | Sanjay Subrahmanyan | G Major | 8 | 9B | 154 BPM | ||
| Thillana (Raga Paras, Aadi Tala) | Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh | B♭ Minor | 5 | 3A | 105 BPM | ||
| Bhairavi | Ty Burhoe, Kala Ramnath | F Major | 4 | 7B | 109 BPM | ||
| Pavanguru - Hamsanandhi - Rupakam | Rajhesh Vaidhya | B Minor | 6 | 10A | 154 BPM | ||
| Sunand Bhairav - Aalap | Milind Date | A Minor | 1 | 8A | 77 BPM | ||
| Sree Mahaganapathim | Kunnakudi Vaidyanathan | E Major | 5 | 12B | 96 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Svara Kalpana | Ranganayaki Rajagopalan, Raja Rao | F Minor | 6 | 4A | 164 BPM | ||
| Raga Karnaranjani | Ganesh & Kumaresh | A♭ Minor | 6 | 1A | 175 BPM | ||
| The Pupil and His Master: Rag Bilawal | Vilayat Khan | D♭ Major | 7 | 3B | 115 BPM | ||
| Bibhas | Vidyadhar Vyas | F Minor | 3 | 4A | 110 BPM | ||
| Batu Nrutya | Ensemble traditionnel de l'Orissa | D Major | 6 | 10B | 97 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Madhyamakāla Sāhitya (1) | Ranganayaki Rajagopalan, Raja Rao | A♭ Major | 3 | 4B | 153 BPM | ||
| Raagam Keeravani - Aalapanai | Akkarai Subhalakshmi | D Major | 3 | 10B | 100 BPM | ||
| Thatwamariya - Reeti Gowla - Adi | Papanasam Sivan | B♭ Minor | 7 | 3A | 101 BPM | ||
| Raga Nilambari - Gat in Vilambit Ektaal | N. Rajam, Zakir Hussain | B Minor | 3 | 10A | 130 BPM | ||
| Brochevarevare | U. Srinivas | G Minor | 7 | 6A | 110 BPM | ||
| Thillana | U. Srinivas | D♭ Major | 7 | 3B | 89 BPM | ||
| Raga Maluha Kalyan - Jod | Nikhil Banerjee | D Major | 6 | 10B | 103 BPM | ||
| Raga Aberi Track 02 | L. Shankar | A♭ Major | 5 | 4B | 83 BPM | ||
| Journey Home - Abheri - Adi | Aditya Sriram, Akshay Anantapadmanabhan, IndianRaga, Sumhith Veda Aradhyula | A Major | 3 | 11B | 180 BPM | ||
| Paluke Bangaramayena | Sree Bhadrachala Ramadas, Kudamaloor Janardanan | F Minor | 5 | 4A | 117 BPM | ||
| Vathapi Ganapathim (From "Carnatic Classical Instrumental - Electric Guitar") | Muthuswami Dikshitar | E Minor | 5 | 9A | 105 BPM | ||
| Tillana: Gi Ta Dhu Ni Ki | Vadya Lahari | A Major | 6 | 11B | 175 BPM |