Mark Hayes's ' "Leaving Zuma" was released on its scheduled release date, January 1, 1999. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Transmitter". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Leaving Zuma is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Leaving Zuma by Mark Hayes having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Now We Remain | David Haas, Mark Hayes | G Major | 2 | 9B | 105 BPM | ||
| The Lord Is Kind and Merciful | Jeanne Cotter | D♭ Major | 3 | 3B | 79 BPM | ||
| Radio Interview | Styron, Mark Hayes | B♭ Major | 5 | 6B | 54 BPM | ||
| Ma tu tie Noyeamwan | Ihaza .I. Vincent | F Major | 3 | 7B | 80 BPM | ||
| We Are One In The Spirit | Harding University Concert Choir | B♭ Minor | 1 | 3A | 132 BPM | ||
| Psalm 23: The Lord Is My Shepherd | David R. Erb | E Major | 6 | 12B | 89 BPM | ||
| What a Friend We Have in Jesus | Paul Nelson | G Major | 1 | 9B | 71 BPM | ||
| They'll Know We Are Christians | Peter Scholtes | F Minor | 2 | 4A | 80 BPM | ||
| Come to the Water | John Foley, S.J | A♭ Major | 1 | 4B | 97 BPM | ||
| Sweet by and By | John Dennis McCoy, Mark Hayes | E Minor | 2 | 9A | 128 BPM | ||
| Sing, my Child - SATB | Sarah Quartel, The Oxford Choir | E Minor | 0 | 9A | 76 BPM | ||
| Psalm 118: This Is the Day | Michael Joncas | F Major | 2 | 7B | 79 BPM | ||
| Go Peaceful In Gentleness (PTL 2016 No. 9) | WCF Christadelphian Music | D Major | 1 | 10B | 140 BPM | ||
| Put Your Shoulder to the Wheel | The Utah Valley Children's Choir | E Major | 2 | 12B | 119 BPM | ||
| What Was I Made For? arr. Jennifer Lucy Cook | Cantorum Chamber Choir | F Major | 1 | 7B | 168 BPM | ||
| Monólogo de Poncio Pilato | Mark Hayes, Coro del Instituto Adventista Balcarce | A♭ Major | 1 | 4B | 88 BPM | ||
| Jesus Is Tenderly Calling | Elevation | E Minor | 1 | 9A | 101 BPM | ||
| O Breathe on Me, O Breath of God | GIA Artists, Chaz Bowers | C Minor | 2 | 5A | 170 BPM | ||
| Premier mot - Version instrumentale | Charles Linton | C Major | 1 | 8B | 84 BPM | ||
| The Parting Glass – Traditional Farewell Song | Traditional Traditional, Sound Souvenirs | B Minor | 2 | 10A | 118 BPM | ||
| The Erie Canal (arr. M. Hayes) | Thomas Allen, Mark Hayes, James Martin Schaefer, Pacific Chorale, David Clemensen, John Alexander | F Minor | 1 | 4A | 126 BPM | ||
| Butterfly | Eric Genuis | G Major | 2 | 9B | 134 BPM | ||
| Like a Child Rests | Christopher Walker | C Major | 1 | 8B | 80 BPM | ||
| Come, Thou Long-Expected Jesus | Voice Male | D Major | 1 | 10B | 73 BPM | ||
| Canta! Ha Resucitado! | Mark Hayes, Coro del Instituto Adventista Balcarce | G Major | 3 | 9B | 91 BPM |