"Soirée" by Bill Cunliffe had its release date on January 30, 2007. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bill Cunliffe's "How My Heart Sings" album is number 10 out of 10. Soirée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Soirée by Bill Cunliffe to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lullaby | Bill Cunliffe | F Minor | 7 | 4A | 80 BPM | ||
| Air On the G String | Bill Cunliffe | C Major | 2 | 8B | 104 BPM | ||
| Light Over Changes | Silas Moonray | F Major | 2 | 7B | 113 BPM | ||
| Quench | Niko de Oro | D♭ Major | 3 | 3B | 143 BPM | ||
| Friends at the bar | scoth | F Major | 2 | 7B | 113 BPM | ||
| Amber Waves Jazz | Jazz Cafè | G Minor | 5 | 6A | 126 BPM | ||
| Whisper Not - Studio | Mark Sherman, Bill Cunliffe, John Chiodini, Charles Ruggiero | G Minor | 3 | 6A | 138 BPM | ||
| Namaste | Bill Cunliffe | C Major | 2 | 8B | 104 BPM | ||
| Sound Adrift | Arthur Glasswing | F Major | 2 | 7B | 113 BPM | ||
| Three or Six | Justin Chart, Bill Cunliffe | G Minor | 3 | 6A | 118 BPM | ||
| Spinning Shadows | León Areíto | F Minor | 2 | 4A | 107 BPM | ||
| Golden Sax Affair | Jazz Cafè | C Minor | 4 | 5A | 141 BPM | ||
| Woody N' You - Studio | Mark Sherman, Bill Cunliffe, John Chiodini, Charles Ruggiero | D♭ Major | 4 | 3B | 115 BPM | ||
| Falling Through Quiet | Milan Drex | F Major | 2 | 7B | 113 BPM | ||
| Lazy Morning | The Velvet Brewers | F Minor | 2 | 4A | 101 BPM | ||
| A Night in Tunisia | Friday Night Quartet | G Minor | 4 | 6A | 82 BPM | ||
| A-Tisket, A-Tasket | Bill Cunliffe | E Minor | 2 | 9A | 102 BPM | ||
| Wall to Wall | The Jazz Room | E Major | 2 | 12B | 116 BPM | ||
| Horn Rhythm | Horn Society | D Minor | 4 | 7A | 97 BPM | ||
| Tardes de Vinilo y Whisky | Cromatica nocturna | B♭ Minor | 4 | 3A | 130 BPM | ||
| Sound Between Beams | Silas Moonray | F Major | 2 | 7B | 113 BPM | ||
| The Love That Remains | Elian Tumbao | G Minor | 5 | 6A | 129 BPM | ||
| Jazz for Cafés | Breakfast Jazz | D♭ Major | 0 | 3B | 76 BPM | ||
| Empty Booth Blues | Diner Express | D Minor | 6 | 7A | 94 BPM | ||
| Rise of the Crescent Moon | Maceo Valiente | E Major | 3 | 12B | 130 BPM |