Rohini Patel's ' "Hari Tara Naam Chh" was released on its scheduled release date, December 27, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Pagran". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Hari Tara Naam Chh is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Hari Tara Naam Chh by Rohini Patel having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mara Virpurvala | Rohini Patel | A♭ Major | 8 | 4B | 88 BPM | ||
| Vande Shiv Stuti | Niranjan Pandya | F Minor | 1 | 4A | 85 BPM | ||
| Holi Khelan Aayo Shyam | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 4 | 1A | 122 BPM | ||
| Kunj Me Bhi Radhe | Asif Jeriya, Ami Joshi | F Minor | 5 | 4A | 88 BPM | ||
| Chhare Dishano Pawagadh | Master Rana | F Minor | 5 | 4A | 120 BPM | ||
| Mila Vatan ka khula nimantran | Brahma Kumaris | D Major | 3 | 10B | 75 BPM | ||
| Apka pyar Baba yun hi barasata rahe | Brahma Kumaris | C Major | 4 | 8B | 126 BPM | ||
| Radha Rupadi | Atul Purohit | A♭ Minor | 3 | 1A | 139 BPM | ||
| Saanson Ki Mala Mein | Rishi Nityapragya | D♭ Minor | 6 | 12A | 81 BPM | ||
| Tari Ek Ek Pal Jaye Lakhni | Hari Bharwad | E♭ Major | 5 | 5B | 180 BPM | ||
| O CHMPARAN NA MALIK RE | Nidhi Dholkiya | F Major | 5 | 7B | 126 BPM | ||
| Bhajan Mashup | Gaurav Dhola | A Minor | 7 | 8A | 126 BPM | ||
| Yamunaji Ni Stuti | Dr. Dipali Bhatt, Foram Mehta | E♭ Major | 4 | 5B | 125 BPM | ||
| Aaj Biraj Mein Hori | Nitin Devka, Urvashi Pandya | A♭ Major | 8 | 4B | 140 BPM | ||
| RADHIKA GORI SE | NITIN DEVKA-NIDHO DHOLKIA | A♭ Major | 5 | 4B | 79 BPM | ||
| JAI RADHA MADHV | Nitin Devka | E♭ Minor | 4 | 2A | 152 BPM | ||
| PARNIYU BANDHAY MA JASODAJI | Nidhi Dholkiya | F Minor | 9 | 4A | 91 BPM | ||
| Vijline Chamkare Motida Parovo | Lalita Ghodadra | G Minor | 6 | 6A | 99 BPM | ||
| Aavo Aavo Dasha Mavdi - Original | Hari Bharwad, NA | E♭ Minor | 4 | 2A | 132 BPM | ||
| Tara Tara Bole | Parikshit Bala | F Minor | 4 | 4A | 86 BPM | ||
| Shri Ram Chandra Krupalu - Ram Stuti | Ketan Patwardhan | G Minor | 4 | 6A | 110 BPM | ||
| Aj Mare Orde Re | Sadhu Krushnapriyadas, Sadhu Akshareshdas | F Minor | 8 | 4A | 118 BPM | ||
| Mara Ghatma Birajata Shrinathji | Ashit Desai, Hema Desai | D Major | 7 | 10B | 83 BPM | ||
| 27 Times Shri Uvasaggaharam Stotra | SRMD Bhakti | D Minor | 4 | 7A | 124 BPM | ||
| Tara Vina Veran Laage Aa Raatdi | Ashvin Mistry | B Major | 6 | 1B | 141 BPM |