Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's ' "Pièces de Viole, Suite No. 1 in A Minor: X. Rondeau" was released on its scheduled release date, 2012. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Pièces de Viole, Suite No. 1 in A Minor: X. Rondeau's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's "Marais: Pièces de Viole, Book 5" album is number 10 out of 110. On top of that, Netherlands appears to be the country where this track was created. The popularity of Pièces de Viole, Suite No. 1 in A Minor: X. Rondeau is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pièces de Viole, Suite No. 1 in A Minor: X. Rondeau by Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto à 5 in E minor: 2. Andante | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 92 BPM | ||
| Passaggio rotto (Andamento Veloce) | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 1 | 1A | 118 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 1 | 6A | 82 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VII. Jupiter. Modérément | Antoine Forqueray, Jean Rondeau, Thomas Dunford | G Major | 3 | 9B | 101 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Jácaras por la E | Santiago De Murcia, Andrew Lawrence-King, Paul O'Dette, Pedro Estevan, Pat O'Brien, Steve PLAYER | D Minor | 1 | 7A | 97 BPM | ||
| Pièces de viole, Book 2, Suite in E Minor: No. 96, Prélude | Marin Marais, La Rêveuse, Florence Bolton, Emily Audouin, Carsten Lohff, Benjamin Perrot | E♭ Minor | 0 | 2A | 137 BPM | ||
| Pièces à une et deux violes, Premier Livre, Suite in G Minor: Allemande | Marin Marais, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | ||
| Allegro in D Major, A18 | Carl Friedrich Abel, André Lislevand | D Major | 3 | 10B | 112 BPM | ||
| M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
| Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: I. Adagio | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | Robert de Visée, Jean Rondeau, Thomas Dunford | D♭ Minor | 2 | 12A | 125 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
| Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | F♯ Minor | 0 | 11A | 78 BPM | ||
| 18 Sonatas, Op. 2: No. 18, La Savorgniana | Giovanni Legrenzi, Accademia dell'Annunciata, Riccardo Doni | F Major | 0 | 7B | 81 BPM | ||
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| Cantate domino, SV 292 (arr. for instruments) | Claudio Monteverdi, Les Cris De Paris, Geoffroy Jourdain | G Minor | 1 | 6A | 77 BPM | ||
| Mystery Sonata No. 2 "The Visitation": II. Allaman - III. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Major | 1 | 4B | 95 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: I. Allemande. Lamento sopra la dolorosa oerdita della Real Msta di Ferdinando IV, Re de Romani | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Minor | 1 | 12A | 110 BPM | ||
| Suite in G Minor: IV. Muzette | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | F Minor | 2 | 4A | 87 BPM |