Hans Conzelmann, Delle Haensch's 'Lorna' had a release date set for January 1, 1988. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Jingles" album is number 23 out of 47. Lorna is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lorna by Hans Conzelmann, Delle Haensch to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ach Jo-Jo-Josef | Jupp Schmitz, 4 Botze, Die, Unknown Artist, Hans Conzelmann | F Major | 3 | 7B | 179 BPM | ||
| The Factory Machine | Charlie Chaplin, Alfred Newman | F Major | 5 | 7B | 118 BPM | ||
| Take The "A" Train | Annunzio Paolo Mantovani | E♭ Major | 3 | 5B | 133 BPM | ||
| If I Would Ever Leave You - Rhumba | Lester Lanin | B♭ Major | 5 | 6B | 148 BPM | ||
| Gala Premiere | Laurie Johnson | G Major | 6 | 9B | 74 BPM | ||
| That's a Plenty | Firehouse Five Plus Two | D Minor | 4 | 7A | 114 BPM | ||
| Spring Fashion | Group-Forty Orchestra, Laurie Johnson | G Major | 3 | 9B | 83 BPM | ||
| Poor Miss Taylor | Isobel Waller-Bridge, David Schweitzer | C Major | 2 | 8B | 101 BPM | ||
| Happy Feet | Alan Moorhouse | F Major | 3 | 7B | 106 BPM | ||
| The Three Good Fairies (Sing a Smiling Song) | George Bruns, Tom Adair | F Minor | 3 | 4A | 122 BPM | ||
| Revue Fox | Delle Haensch, Hans Conzelmann | A♭ Major | 5 | 4B | 141 BPM | ||
| Confisco Grill | Universal Destinations & Experiences | A Major | 9 | 11B | 116 BPM | ||
| Claudia | Hans Conzelmann, Delle Haensch | B♭ Major | 4 | 6B | 137 BPM | ||
| Satin Doll | Ronnie Price | C Major | 2 | 8B | 106 BPM | ||
| Hollywood Heyday | Gareth Hughes | C Minor | 3 | 5A | 141 BPM | ||
| And the Band Played On | The Gaslight Orchestra | C Major | 3 | 8B | 72 BPM | ||
| A Caribbean Mystery - Island | Dominik Scherrer | E Minor | 4 | 9A | 120 BPM | ||
| España | The Little Street Band, Eric Gemsa | C Major | 4 | 8B | 107 BPM | ||
| Panic Patrol | Kenny Graham | B♭ Minor | 6 | 3A | 156 BPM | ||
| Made In America | Paragon Ragtime Orchestra, Rick Benjamin | F Major | 4 | 7B | 85 BPM | ||
| Busy Life | Cedric King Palmer | C Major | 6 | 8B | 146 BPM | ||
| Lichtenbourg Ouverture | Hans Conzelmann, Delle Haensch, Munich Concert Orchestra | C Major | 3 | 8B | 91 BPM | ||
| The Grasshopper`s Dance | Ernest Bucalossi, Palm Court Theatre Orchestra, Anthony Godwin | E♭ Major | 2 | 5B | 114 BPM | ||
| A Star of Great Prominence / Breakfast | Charlie Chaplin | D♭ Major | 3 | 3B | 184 BPM | ||
| Entre-Act (From Royal Concert) | Peer Remar, Hans Conzelmann, Delle Haensch, Munich Concert Orchestra | F♯ Major | 3 | 2B | 82 BPM |