On January 17, 2020, the song "Mere Ram Aa Jate Mere Samne" was released by Devender Pathak. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Mere Ram Aa Jate Mere Samne and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. The popularity of Mere Ram Aa Jate Mere Samne is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Mere Ram Aa Jate Mere Samne by Devender Pathak to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aaj Mithila Nagariya | Devender Pathak | F♯ Major | 8 | 2B | 140 BPM | ||
| Bhagwat Bhagwan Ki Aarti | Devendra Pathak | A♭ Major | 8 | 4B | 82 BPM | ||
| Lo Fagun Aaya Re | Sanju Sharma | C Major | 5 | 8B | 146 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Meera Bai Chaodo | Moinuddin Manchala, Prakash Mali | A♭ Major | 8 | 4B | 91 BPM | ||
| Nath Ek Alakh Jagave He | Sumit Kalanaur | E Major | 9 | 12B | 128 BPM | ||
| Shyam Ki Murli Ka | Chitra Vichitra | F♯ Major | 9 | 2B | 92 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Janme Avadh Mein Ram | Prem Prakash Dubey | D♭ Major | 8 | 3B | 105 BPM | ||
| Chumasa ka Meetha Harjas | Prem Nath | D♭ Major | 9 | 3B | 85 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Marghat Te Chalke Aagi Maa Kali Jyot Pe Chha Gi | Mukesh Sharma | F♯ Major | 9 | 2B | 134 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Mere Jar Jar Hai Paon | Sadhvi Purnima | D♭ Minor | 10 | 12A | 127 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Khul Jayenge | Pandit Gaurangi Gauri Ji | F Minor | 8 | 4A | 81 BPM | ||
| Hara Hu Baba | Kanhiya Mittal | A♭ Minor | 8 | 1A | 80 BPM | ||
| Dukh Harli Kirpa Karle | Preetam Bhartwan | F♯ Minor | 8 | 11A | 88 BPM | ||
| Mithe Ras Se Bharyori Radha Rani | Ravi Raj | B Minor | 9 | 10A | 92 BPM | ||
| Motki Mehariya | Devender Pathak | F Minor | 9 | 4A | 112 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Tero Sab Sankat Mit Jaaye | Pt. Gyanendra Sharma | E Major | 6 | 12B | 143 BPM | ||
| He Gurudev Pranam Aapke Charno Me | Sikha Mathur | A Minor | 8 | 8A | 150 BPM | ||
| Damru Wale Baba Tumko Aana Hoga | Sadhna Shree | A♭ Minor | 9 | 1A | 90 BPM | ||
| Teri Jai Ho Gajanan | Devender Pathak | B♭ Major | 8 | 6B | 124 BPM | ||
| Jab Teri Doli Nikali Jayegi | Pandit Gaurangi Gauri Ji | F Minor | 7 | 4A | 137 BPM |