Paul Linford's ' "Take That Dawg" was released on its scheduled release date, May 15, 2006. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Need for Speed: Most Wanted (Original Soundtrack)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Canada. Based on our statistics, Take That Dawg's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Take That Dawg by Paul Linford having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pitch-black Jungle Stage -Brazil- | Hideyuki Fukasawa | E Minor | 8 | 9A | 126 BPM | ||
| Knife Edge | Brian Tyler | D Major | 9 | 10B | 134 BPM | ||
| BB Corps | Harry Gregson-Williams | D Major | 7 | 10B | 160 BPM | ||
| Blast Action | Blue Stahli | F Minor | 10 | 4A | 134 BPM | ||
| Slipstreamer | Kaveh Cohen, Michael Nielsen | B Minor | 4 | 10A | 170 BPM | ||
| Spazm | Elite Force | D♭ Major | 10 | 3B | 135 BPM | ||
| 327 V8 | Junkie XL | D Major | 9 | 10B | 190 BPM | ||
| Gohan Vs. Doubler IV | Bruce Faulconer | E Minor | 6 | 9A | 77 BPM | ||
| Dagger 13 | Henry Jackman | D♭ Major | 9 | 3B | 105 BPM | ||
| Fire Head | Gabriel Shadid & Tobias Marberger, Epic Score | F♯ Minor | 7 | 11A | 155 BPM | ||
| Breakthrough | Harry Gregson-Williams | D♭ Minor | 7 | 12A | 160 BPM | ||
| Bring Her Back to Me | Ron Fish | B♭ Minor | 7 | 3A | 124 BPM | ||
| Voltaic Black Knight | Yoshiya Terayama | D Major | 10 | 10B | 115 BPM | ||
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM | ||
| Removing the Bandit Threat | Sascha Dikiciyan, Cris Velasco | F♯ Major | 6 | 2B | 130 BPM | ||
| Virus | Sean Murray | D Major | 6 | 10B | 170 BPM | ||
| Zero Hour Main Theme | Bill Brown, Mikael Sandgren | F Minor | 5 | 4A | 117 BPM | ||
| Invincible Nemesis | Masami Ueda | B Major | 9 | 1B | 120 BPM | ||
| The Jungle/Waves Of Darkness | Johan Söderqvist, Patrik Andrén | C Major | 7 | 8B | 130 BPM | ||
| He's Escaping! | James Hannigan | D♭ Major | 7 | 3B | 172 BPM | ||
| Kingpin | Lance Hayes | B Minor | 4 | 10A | 120 BPM | ||
| Blackbird | Sean Murray | A Major | 5 | 11B | 130 BPM | ||
| Under Assault | Tilman Sillescu | B Minor | 5 | 10A | 132 BPM | ||
| Shattered | RTPN | C Major | 10 | 8B | 136 BPM | ||
| Punch It! | Paul Haslinger | G Major | 10 | 9B | 200 BPM |