Us, From Outside's 'Putting A Face To Fear' had a release date set for December 16, 2011. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Revived". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Putting A Face To Fear's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Putting A Face To Fear by Us, From Outside having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Patient Sixty-Seven | Us, From Outside | A Minor | 10 | 8A | 160 BPM | ||
| Legend | Shoot the Girl First | C Minor | 10 | 5A | 150 BPM | ||
| The Phone Is Such a Blunt Object | Odd Project | A♭ Minor | 10 | 1A | 170 BPM | ||
| Beauty Killed the Beast | Modern Day Escape | F♯ Minor | 9 | 11A | 195 BPM | ||
| I'm Gonna Bury You Underground Eli. | We Are Defiance | A♭ Major | 10 | 4B | 75 BPM | ||
| Closer to Becoming a Killer | She Can't Breathe | G Major | 9 | 9B | 200 BPM | ||
| All for You | The Paramedic | C Major | 9 | 8B | 120 BPM | ||
| Her Voice in the Wire | Bullets & Belvedere | A♭ Major | 10 | 4B | 81 BPM | ||
| For the First Time in a Long Time | The Words We Use | A♭ Major | 10 | 4B | 123 BPM | ||
| Lessons from Liars | Built On Secrets | E Minor | 10 | 9A | 180 BPM | ||
| City In A Snowglobe | Before Their Eyes | C Minor | 9 | 5A | 140 BPM | ||
| Oh, I'll Show You a Nightmare | A Faylene Sky | D♭ Minor | 8 | 12A | 94 BPM | ||
| No Way to Live | Chasing Safety | B Minor | 9 | 10A | 174 BPM | ||
| As If Everything Was Held In Place | Of Machines | A Minor | 9 | 8A | 130 BPM | ||
| Stranger Danger | That's Outrageous! | F♯ Major | 10 | 2B | 180 BPM | ||
| The Saddest Thing | This Romantic Tragedy | D Major | 10 | 10B | 175 BPM | ||
| Rooms Filled With Ghost Of My Past | Skyscrapers Walk Among Us | A♭ Major | 9 | 4B | 111 BPM | ||
| Maybe Holding Hands Wasn't Such a Good Idea | Modern Day Escape | A Major | 8 | 11B | 94 BPM | ||
| Pretenders | One Last Look | F♯ Major | 9 | 2B | 130 BPM | ||
| Lost In Translation | Of Machines | A Minor | 9 | 8A | 130 BPM | ||
| Closer | Oh, The Irony | D♭ Major | 8 | 3B | 160 BPM | ||
| Oneonethousand | Burden Of A Day | D Minor | 10 | 7A | 138 BPM | ||
| Believe | Akissforjersey | D♭ Minor | 9 | 12A | 164 BPM | ||
| The Worst Part Is Waking Up | This Romantic Tragedy | A Major | 9 | 11B | 150 BPM | ||
| A Slave, A Son | Jamie's Elsewhere | B♭ Major | 10 | 6B | 90 BPM |