"1989" by M.A.D.E.S had its release date on April 9, 2018. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in M.A.D.E.S's "Motor" album is number 3 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, 1989's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of 1989 by M.A.D.E.S to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Legend | Turboslash | D♭ Major | 9 | 3B | 140 BPM | ||
| Aftermath | Niky Nine | A♭ Major | 8 | 4B | 108 BPM | ||
| The Wraith | TOKYO ROSE | D Major | 8 | 10B | 170 BPM | ||
| Warriors of the Faith | Occams Laser | E Minor | 8 | 9A | 130 BPM | ||
| Shadow Road | Isidor | F Minor | 7 | 4A | 90 BPM | ||
| Activate | Oscillian | C Minor | 9 | 5A | 100 BPM | ||
| Adrift | Starfarer | D Minor | 5 | 7A | 192 BPM | ||
| The Future Past | Jeremiah Kane | C Minor | 7 | 5A | 130 BPM | ||
| Virtual Sexuality | Nightstop | E Major | 8 | 12B | 125 BPM | ||
| DownShift | Sub Morphine | G Minor | 8 | 6A | 100 BPM | ||
| Miami Synth Riot 1982 | Turbo Knight | G Major | 8 | 9B | 130 BPM | ||
| Garage Nights | Ferus Melek | G Minor | 8 | 6A | 132 BPM | ||
| Overdrive Overture | Neoslave | E♭ Major | 9 | 5B | 145 BPM | ||
| Blood And Boobies | Nightstop | G Major | 8 | 9B | 150 BPM | ||
| Cyberkinetic | Inexedra | F Minor | 8 | 4A | 100 BPM | ||
| Time Machine | Brandon | E♭ Major | 8 | 5B | 117 BPM | ||
| Kill Him | M.A.D.E.S | G Major | 9 | 9B | 110 BPM | ||
| Don't Call Me Hero | OGRE Sound | B♭ Minor | 8 | 3A | 180 BPM | ||
| Welcome | PYLOT | B Minor | 6 | 10A | 180 BPM | ||
| Hull Breach | Megahit | E Minor | 9 | 9A | 170 BPM | ||
| Cult | M.A.D.E.S | C Major | 7 | 8B | 110 BPM | ||
| Hotline Miami II | Das Mörtal | B Minor | 8 | 10A | 102 BPM | ||
| Into the Void | Division | D Minor | 8 | 7A | 110 BPM | ||
| Raw Engine | Ferus Melek | A Minor | 9 | 8A | 130 BPM | ||
| Motor | M.A.D.E.S | D♭ Major | 9 | 3B | 111 BPM |