SIE Sound Team's ' "荒野の果てへ" was released on its scheduled release date, April 5, 2006. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. 荒野の果てへ's duration is considered a little bit shorter than the average duration of a typical track. This song is part of WILD ARMS Complete Tracks by SIE Sound Team. The song's track number on the album is #1 out of 79 tracks. Based on our data, Japan was the country where this track was produced or recorded. In terms of popularity, 荒野の果てへ is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since 荒野の果てへ by SIE Sound Team has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 荒野の果てへ being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dark Side Field | Roman Heuser | D Major | 4 | 10B | 116 BPM | ||
| Main Theme | Inon Zur, Philharmonia Orchestra, Budapest Film Orchestra, Isaku Kageyama Taiko Ensemble, Asano Taiko Unit One, Shih-wei Carrasco-Wu, Ian Nickus, Úyanga Bold, Isaku Kageyama, Steve Chiu, Niloufar Shiri, Hideki Onoue | G Minor | 5 | 6A | 171 BPM | ||
| アーデルハイド城 | SIE Sound Team | B Minor | 6 | 10A | 150 BPM | ||
| Moment of Recall | 上松範康 | B Minor | 1 | 10A | 80 BPM | ||
| Theme of the Celestials | T’s MUSIC | D♭ Minor | 5 | 12A | 77 BPM | ||
| Being Slow on the Waves | Falcom Sound Team jdk | G Major | 3 | 9B | 128 BPM | ||
| The Wall to Overcome | Kentaro Sato, Budapest Symphony Orchestra | D Minor | 1 | 7A | 83 BPM | ||
| Tides of the Foscari | Daniele Zandara, Camilla D'Onofrio, Stefano Sacchi | F Minor | 5 | 4A | 141 BPM | ||
| The One Year War | Wilbert Roget, II | B♭ Minor | 1 | 3A | 83 BPM | ||
| 奮起 | T’s MUSIC | G Minor | 10 | 6A | 140 BPM | ||
| Emil / Karma | SQUARE ENIX MUSIC | G Major | 9 | 9B | 155 BPM | ||
| Light of Nibel (feat. Aeralie Brighton) | Gareth Coker, Aeralie Brighton | A Major | 5 | 11B | 80 BPM | ||
| 日曜劇場「ラストマン」メインテーマ ORIGINAL COVER INST Ver.ORIGINAL COVER INST Ver. | NIYARI計画 | A♭ Major | 5 | 4B | 80 BPM | ||
| We Will Always Be (From "Suikoden II") | Collosia | B♭ Major | 6 | 6B | 80 BPM | ||
| Wind Scene | Malcolm Robinson | F Major | 3 | 7B | 79 BPM | ||
| The Mountain Trail - Day | Eric W. Brown | E Minor | 1 | 9A | 51 BPM | ||
| サクヤ姫のテーマ | 竹岡智行 | A Minor | 2 | 8A | 62 BPM | ||
| Ys - Opening - | Falcom Sound Team jdk | D♭ Minor | 10 | 12A | 80 BPM | ||
| プロローグ | 風のオーケストラ | D Minor | 3 | 7A | 140 BPM | ||
| Bard Dance | Borislav Slavov | E Minor | 4 | 9A | 161 BPM | ||
| Final Fantasy III: Eternal Wind | Arnie Roth, Distant Worlds Philharmonic Orchestra | A Minor | 4 | 8A | 125 BPM | ||
| The Last Wolf Suite ~志々雄真実の組曲~ / るろうに剣心より BGM オリジナルカバー | CRA | E Minor | 6 | 9A | 82 BPM | ||
| Song of the Ancients / Devola | SQUARE ENIX MUSIC | F Minor | 3 | 4A | 162 BPM | ||
| Dofus Hero, le cruel | Guillaume Pladys | C Major | 3 | 8B | 143 BPM | ||
| A Chapel | 崎元 仁 | C Major | 4 | 8B | 110 BPM |