Daniel Perez's ' "Running" was released on its scheduled release date, July 7, 2021. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Running's duration is considered a little bit shorter than the average duration of a typical track. Since Running only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Running is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Running by Daniel Perez having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 24, Rezitativ. "Und er kam zu seinen Jüngern" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien | A♭ Minor | 0 | 1A | 79 BPM | ||
| Pastoral Mass in F Major, Op. 147: VI. Agnus Dei | Anton Diabelli, Augsburger Domsingknaben, Residenz-Kammerorchester München, Reinhard Kammler | E♭ Major | 1 | 5B | 119 BPM | ||
| Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 140 BPM | ||
| Fugue in Bm (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | C Minor | 1 | 5A | 98 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | D♭ Minor | 1 | 12A | 147 BPM | ||
| Toccata in Sol maggiore | Leonardo Leo, Leonardo Antonio Di Chiara | A♭ Major | 1 | 4B | 88 BPM | ||
| Suite No. 2: Menuets I & II | Suren Bagratuni | D Major | 1 | 10B | 69 BPM | ||
| Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria and Chorale. Sei getreu, alle Pein (Tenor) | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 1 | 1A | 162 BPM | ||
| Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Minor | 0 | 1A | 73 BPM | ||
| Gagliarda detta Narciso | The Royal Wind Music | D♭ Major | 1 | 3B | 138 BPM | ||
| Concerto Armonico No. 3 in A Major: Grave sostenuto da capella: Canone di Palestrina - Adagio e forte | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 129 BPM | ||
| Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 36, Rezitative und Chöre. "Und der Hohepriester antworte" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Dietrich Henschel, Matthias Goerne, Concentus Musicus Wien | A♭ Minor | 2 | 1A | 107 BPM | ||
| Gelobet seist du, Jesu Christ, BuxWV 189 | Dietrich Buxtehude, Bine Katrine Bryndorf | D Minor | 0 | 7A | 67 BPM | ||
| I. Christ Lag In Todes Banden BWV 4, 5. Coro (Versus IV): Es War Ein Wunderlicher Krieg | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
| You Are Close | Daniel Perez | A Minor | 1 | 8A | 113 BPM | ||
| Stabat mater: XVIII. Quando corpus ùorietur | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Charpentier: Beatus vir, H. 224: V. In memoria aeterna | Marc-Antoine Charpentier, Michel Corboz, Coro Gulbenkian, Orquestra Gulbenkian | B♭ Major | 2 | 6B | 90 BPM | ||
| Hohe Messe in B Minor, BWV 232: No. 17, Crucificus | Johann Sebastian Bach, Merseburger Hofmusik, Michael Schönheit, Britta Schwarz, Henriette Gödde, Falk Hoffmann, Andreas Scheibner | B Major | 2 | 1B | 72 BPM | ||
| Elias, Op. 70: Teil I: So ihr mich von ganzem Herzen | Felix Mendelssohn, Thomas Hengelbrock, Balthasar-Neumann-Ensemble, Lothar Odinius | E♭ Major | 1 | 5B | 84 BPM | ||
| Missa Circumcisionis, ZWV 11: Agnus Dei II | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | C Minor | 1 | 5A | 98 BPM | ||
| Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21: V. Auf, freue dich Seele | Johann Ludwig Bach, Carine Tinney, Capella Sollertia, Johanna Soller | C Minor | 1 | 5A | 98 BPM | ||
| Matthäuspassion, BWV 244: Chorale. O Haupt voll Blut und Wunden | Johann Sebastian Bach, Dresden Chamber Choir, Cologne Cathedral Boys Choir, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 65 BPM | ||
| X. Alleluja, ein Prinz ist da! | Georg Philipp Telemann, Hanna Herfurtner, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | ||
| Neubrandenburg Concerto No. 2 after BWV 1064: III. Allegro (Transcr. By Harer, after Bach's Concerto for Three Harpsichords, Strings, and Basso Continuo in C Major, BWV 1064) | Christoph Harer, Johann Sebastian Bach, La Festa Musicale | F♯ Minor | 3 | 11A | 109 BPM | ||
| Miserere: Miserere | Diogenio Bigaglia, Knabenchor Hannover, Jörg Breiding, La Festa Musicale | F♯ Major | 1 | 2B | 95 BPM |