On September 17, 2009, the song "Maiyya Pukaare Re" was released by Pankaj Udhas. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dinesh Kumar Dube's "Mata Ki Bhetein" album is number 3 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Maiyya Pukaare Re's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maiyya Pukaare Re by Pankaj Udhas to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jahi Vidhi Rakhe Raam Tahi Vidhi Rahiye (Kirtan) | Narendra Seth, Vijay Vyas | A♭ Minor | 6 | 1A | 140 BPM | ||
| Mila Vatan ka khula nimantran | Brahma Kumaris | D Major | 3 | 10B | 75 BPM | ||
| Aj Sakhi Aanandni Heli | Sadhu Krushnapriyadas | G Minor | 2 | 6A | 110 BPM | ||
| Palikeda Srihari | Sri Ganapathy Sachichidananda Swamiji | E Major | 6 | 12B | 170 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Maitri Bhavnu Pavitra | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Bhagavad Gita Adhyay, Pt. 3 | Shrirang Bhave | E Major | 4 | 12B | 153 BPM | ||
| Woh Bhi Suraj Ka Sataya Hoga | Pankaj Udhas | F Major | 5 | 7B | 123 BPM | ||
| Main Peeta Nahin Hoon | Pankaj Udhas | B♭ Minor | 6 | 3A | 133 BPM | ||
| Sri Surya Ashtothram - Sathyanaama Sthothram | Ramu, N. S. Prakash, Ponduri | B♭ Major | 3 | 6B | 122 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Shantinath Mukh Shashi Unhari - Shanti Path | Rakesh Kala | F Major | 7 | 7B | 120 BPM | ||
| Ganga Ji Ki Aarti | Shri. Mridul Krishna Shastri, Kavita Krishnamurthy | D♭ Major | 6 | 3B | 95 BPM | ||
| Aarti Shree Jambh Tumari Jambheshwar Bhajan | Sant Rajuram Ji | E♭ Minor | 7 | 2A | 88 BPM | ||
| Santan Ke Sang Laag Re | Madan Gopal | B♭ Major | 6 | 6B | 88 BPM | ||
| Guru Charanam | Jagadguru Shri Kripalu Ji Maharaj, Raseshwari Devi | B Minor | 3 | 10A | 124 BPM | ||
| Sohang Ram Ram | Dhun | Santram Dhun | Hari cassettes | E♭ Minor | 8 | 2A | 80 BPM | ||
| Hari Mhana | Sri Vittal Vinod Bhagavathar | F♯ Major | 5 | 2B | 136 BPM | ||
| Nade Talmal Talmal Kare | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Vithaai Saavale | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Shiv Shankar Maheshwaram | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM | ||
| Nothing Compares to the Sacred Word | Veer Manpreet Singh | D♭ Major | 3 | 3B | 140 BPM | ||
| Sarva Badha Mukti Mantra | Apurva Krishna | C Major | 5 | 8B | 130 BPM | ||
| Sri Ganesha Ashtottram | Shankara Sastry | D Major | 1 | 10B | 97 BPM |