Nathaniel Rateliff's 'Time Stands - Live at Red Rocks / September 20, 2020' had a release date set for July 16, 2021. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Red Rocks 2020 (Live)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Based on our statistics, Time Stands - Live at Red Rocks / September 20, 2020's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Time Stands - Live at Red Rocks / September 20, 2020 by Nathaniel Rateliff having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rejects In The Attic | The Avett Brothers | A Major | 6 | 11B | 117 BPM | ||
| Help Me Down | Wilderado | C Major | 3 | 8B | 120 BPM | ||
| Tomorrow | Shakey Graves | A Major | 5 | 11B | 134 BPM | ||
| Old Sob Story | Birdtalker | G Major | 5 | 9B | 140 BPM | ||
| Goodbye | Houndmouth | B Major | 5 | 1B | 75 BPM | ||
| Dark, Dark, Dark | Gregory Alan Isakov | D Major | 6 | 10B | 130 BPM | ||
| Anybody Else | The Ballroom Thieves | D Minor | 3 | 7A | 167 BPM | ||
| Tearing at the Seams | Nathaniel Rateliff & The Night Sweats | B♭ Major | 5 | 6B | 181 BPM | ||
| Windows Are Rolled Down | Amos Lee | G Major | 9 | 9B | 127 BPM | ||
| Lady of the Desert | Rayland Baxter | A Major | 4 | 11B | 84 BPM | ||
| Cannibal | Marcus Mumford | B Minor | 1 | 10A | 87 BPM | ||
| Phoenix | Big Red Machine, Fleet Foxes, Anaïs Mitchell | F Major | 7 | 7B | 138 BPM | ||
| Charlie Boy - Live From Wrigley Field | The Lumineers | G Major | 5 | 9B | 129 BPM | ||
| Stand Close | CALIFORNIA GOLD | C Major | 4 | 8B | 130 BPM | ||
| Pounds And Pounds | Nathaniel Rateliff | C Major | 3 | 8B | 90 BPM | ||
| Evelyn - Live at Spotify House | Gregory Alan Isakov | C Major | 4 | 8B | 115 BPM | ||
| Look at Miss Ohio | Blind Pilot | A Major | 3 | 11B | 127 BPM | ||
| Late July - Audiotree Live Version | Shakey Graves, Audiotree | D♭ Major | 5 | 3B | 126 BPM | ||
| Thank You | Nathaniel Rateliff & The Night Sweats | D♭ Major | 9 | 3B | 118 BPM | ||
| Amsterdam (Recorded at Spotify Studios NYC) | Watchhouse | D Major | 1 | 10B | 109 BPM | ||
| All Or Nothing | Nathaniel Rateliff | A Major | 4 | 11B | 140 BPM | ||
| Hang On, Hang On | Amos Lee | F♯ Major | 2 | 2B | 135 BPM | ||
| The Fall | Gregory Alan Isakov | C Major | 2 | 8B | 66 BPM | ||
| Songbird (feat. Nathaniel Rateliff) | Joe Sampson, Nathaniel Rateliff | E Minor | 1 | 9A | 82 BPM | ||
| Like an Old Lover | The Bones of J.R. Jones | E♭ Major | 3 | 5B | 127 BPM |