Halo, Curtis Schweitzer's 'Control Room' had a release date set for December 8, 2021. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Control Room's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gareth Coker, Joel Corelitz, Curtis Schweitzer's "Halo Infinite (Original Soundtrack)" album is number 32 out of 48. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, Control Room is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Control Room by Halo, Curtis Schweitzer to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tropical Storm | Johan Söderqvist, Patrik Andrén | D Minor | 5 | 7A | 128 BPM | ||
| Tectonics | Inon Zur | E♭ Minor | 2 | 2A | 144 BPM | ||
| Simulacra | Halo, Gordy Haab, Brian Trifon, Brian Lee White | A♭ Minor | 5 | 1A | 180 BPM | ||
| Haiku | Curtis Schweitzer | C Major | 3 | 8B | 140 BPM | ||
| Sigmatauri (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | G Minor | 2 | 6A | 109 BPM | ||
| Scorched Earth | Inon Zur | F Minor | 7 | 4A | 138 BPM | ||
| Neon Dawn | Jon Opstad, Paul Haslinger | B♭ Minor | 5 | 3A | 175 BPM | ||
| Skyline | Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee White | C Minor | 3 | 5A | 114 BPM | ||
| Mission Review | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Trapped In Amber | Halo, Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee White | A Minor | 10 | 8A | 121 BPM | ||
| A Rock and a Hard Place | Greg Edmonson | B♭ Minor | 4 | 3A | 137 BPM | ||
| Repository | Halo, Curtis Schweitzer | F Major | 6 | 7B | 102 BPM | ||
| Sacrifice | Halo, Curtis Schweitzer | F Major | 6 | 7B | 102 BPM | ||
| Jeopardy | Halo, Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee White | B Major | 3 | 1B | 80 BPM | ||
| Conclave Of Lords | P.T. Adamczyk | G Minor | 3 | 6A | 83 BPM | ||
| The Obelisk | Ben Prunty | D Major | 2 | 10B | 134 BPM | ||
| Underground Battle I | Hyperduck Soundworks | G Major | 5 | 9B | 180 BPM | ||
| A Touch of Darkness | Pawel Blaszczak | F Major | 3 | 7B | 160 BPM | ||
| The Weirdboy | Cris Velasco, Sascha Dikiciyan | B♭ Major | 8 | 6B | 120 BPM | ||
| Sanctum of Domination | David Arkenstone, World of Warcraft, Blizzard Entertainment | C Minor | 8 | 5A | 160 BPM | ||
| Paying Respects | Jason Graves | G Minor | 5 | 6A | 75 BPM | ||
| A Sunken City | Austin Wintory | F Minor | 3 | 4A | 92 BPM | ||
| 117 | Neil Davidge | B Minor | 6 | 10A | 85 BPM | ||
| Winds of Brightwood | Ramin Djawadi, Brandon Campbell | A Minor | 6 | 8A | 140 BPM | ||
| What Next | Pawel Blaszczak | C Minor | 2 | 5A | 150 BPM |