"Why, Mr. Anderson?" by Don Davis had its release date on November 3, 2003. This song is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Matrix Revolutions: The Motion Picture Soundtrack (U.S. Version)" album is number 14 out of 16. On top of that, United States appears to be the country where this track was created. Why, Mr. Anderson? is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Why, Mr. Anderson? by Don Davis to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fury Drives Into Camp | Steven Price | G Minor | 4 | 6A | 90 BPM | ||
| Greeks on Attack | Junkie XL | G Major | 9 | 9B | 80 BPM | ||
| Welcome to London, Major | Christophe Beck | B♭ Major | 1 | 6B | 80 BPM | ||
| Resurrection | Christopher Young | A♭ Minor | 2 | 1A | 108 BPM | ||
| Doom | Clint Mansell | D Minor | 8 | 7A | 160 BPM | ||
| Holy Dread! (feat. Kronos Quartet) | Clint Mansell, Kronos Quartet | B♭ Major | 2 | 6B | 122 BPM | ||
| I'll Be Back / Police Station & Escape | Brad Fiedel | G Major | 4 | 9B | 60 BPM | ||
| This Is My Home | Steven Price | F Major | 2 | 7B | 150 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| Finale - From "TRON: Legacy"/Score | Daft Punk | F Major | 1 | 7B | 173 BPM | ||
| Are You Watching Closely? | The Prestige | E Minor | 2 | 9A | 173 BPM | ||
| The Cruel Delight | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Solomon Lane | Joe Kraemer | A Minor | 1 | 8A | 86 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Audience with the Prime Minister | Joe Kraemer | F Major | 0 | 7B | 116 BPM | ||
| Crows Klinik - From “Spectre” Soundtrack | Thomas Newman | D Major | 1 | 10B | 100 BPM | ||
| Worlds Beyond Our Senses | Paul Haslinger | A Minor | 5 | 8A | 80 BPM | ||
| Remembrance / Honor The Fallen | Joseph Loduca | G Major | 2 | 9B | 81 BPM | ||
| In the Beginning,There Was Nothing | Clint Mansell | D Major | 3 | 10B | 167 BPM | ||
| Nuclear Scam | Basil Poledouris | G Major | 3 | 9B | 135 BPM | ||
| Main Title: Morgan's Ride | John Debney | A Minor | 6 | 8A | 183 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| 47 Ronin | Ilan Eshkeri | G Major | 4 | 9B | 130 BPM | ||
| Bullet-Time | Don Davis | E Minor | 6 | 9A | 73 BPM | ||
| Movement | Atticus Ross | A Minor | 4 | 8A | 91 BPM |