"Gegrüßet seist du, Maria!, OP.48" by Rudolf Kattnigg, Klaus Kuchling, Raphael Kasprian, Francka Senk had its release date on May 29, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 17 in Ave Maria - Ich sehe dich in tausend Bildern by Klaus Kuchling, Raphael Kasprian, Francka Senk. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Gegrüßet seist du, Maria!, OP.48 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gegrüßet seist du, Maria!, OP.48 by Rudolf Kattnigg, Klaus Kuchling, Raphael Kasprian, Francka Senk is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Un Hombre Solo | Manuel Alejandro, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| Waldandacht - Frühmorgens, wenn die Hähne kräh'n | Der Montanara Chor | F♯ Major | 1 | 2B | 70 BPM | ||
| Massenet: Manon, Act 3: "N'est-ce plus ma main que cette main presse ?" (Manon, Des Grieux) | Jules Massenet, Victoria de los Ángeles, Henri Legay, Pierre Monteux, Orchestre Du Theatre National De L'Opera Comique | C Minor | 1 | 5A | 77 BPM | ||
| Como Foi - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | E Minor | 3 | 9A | 112 BPM | ||
| Wagner: Tannnhäuser, Act 2: "Dort ist sie, nihe dich ihr ungestört" (Wolfram, Tannhäuser, Elisabeth) | Richard Wagner, Daniel Barenboim, Jane Eaglen, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | G Major | 4 | 9B | 113 BPM | ||
| So ein Tag so wunderschön wie heute | Mainzer Hofsänger | F Major | 2 | 7B | 71 BPM | ||
| La Gioconda / Act 2: Pescator, affonda l'esca | Amilcare Ponchielli, Sherrill Milnes, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Minor | 2 | 5A | 92 BPM | ||
| Als flotter Geist – Ja, das alles auf Ehr' (aus "Der Zigeunerbaron") | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
| Roméo et Juliette / Act 2: "L'amour! L'amour! ...Ah! lève-toi, soleil!" | Charles Gounod, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | B Major | 2 | 1B | 91 BPM | ||
| Immer nur lächeln (From "Das Land des Lächelns") | Rudolf Schock | D Major | 1 | 10B | 80 BPM | ||
| Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
| Lamento Di Federico | Francesco Cilea, KIM HOJOONG | A Minor | 2 | 8A | 134 BPM | ||
| Messa di gloria, SC 6: IIIb. Credo. Et incarnatus est - Live | Giacomo Puccini, Tomislav Mužek, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | F♯ Minor | 0 | 11A | 109 BPM | ||
| Trinke, Liebchen (Glücklich ist, wer vergisst) | Fritz Wunderlich | G Major | 4 | 9B | 78 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| Der Zigeunerbaron, IJS 486: Wer uns getraut | Johann Strauss II, Rudolf Schock, Erzebeth Hazy, Robert Stolz | D Major | 3 | 10B | 100 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| Puccini: La bohème, Act 1: "Che gelida manina" (Rodolfo) | Giacomo Puccini, Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume | A♭ Major | 1 | 4B | 176 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Frau Luna: Einleitung - Schlösser, die im Monde liegen | Paul Lincke, Herta Talmar, Franz Fehringer, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 75 BPM | ||
| Im weißen Rössl am Wolfgangsee | Ralph Benatzky, Rudolf Schock, Ingeborg Hallstein, Johannes Fehring | G Major | 4 | 9B | 79 BPM | ||
| Nabucco: Zieht, Gedanken | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D♭ Major | 1 | 3B | 99 BPM | ||
| 323 - Oh! Não busques, ansioso | Orquestra Sacra | E♭ Major | 3 | 5B | 100 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Aus ist's mit der Liebe (Boni, 8 women) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | D Minor | 3 | 7A | 109 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM |