Bill Moseley, Paris Hilton, Ogre's ' "Mark It Up" was released on its scheduled release date, September 30, 2008. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Repo! The Genetic Opera (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Mark It Up's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mark It Up by Bill Moseley, Paris Hilton, Ogre having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| SOUND BITE : "I remember that day..." | Bill Moseley | A♭ Major | 5 | 4B | 131 BPM | ||
| Fair Game | Nivek Ogre, Lyndon Smith, Adam Pascal, Emilie Autumn | A♭ Major | 7 | 4B | 144 BPM | ||
| Bloody! Bloody! | Junie & TheHutFriends | D♭ Minor | 5 | 12A | 101 BPM | ||
| Dammit Janet | Susan Sarandon, Barry Bostwick | B♭ Major | 4 | 6B | 154 BPM | ||
| Psychosis | Amanda Jayne | F Minor | 8 | 4A | 99 BPM | ||
| The Legend of Flat Dallas | Flula Borg | E Major | 7 | 12B | 105 BPM | ||
| 'The Daidala' | The Mechanisms | D Major | 2 | 10B | 91 BPM | ||
| Do The Necronomicon | Candarian Demons and Recording Cast | G Major | 9 | 9B | 146 BPM | ||
| I Think I Love You - Disney Villain Style | The Cog is Dead | B♭ Minor | 9 | 3A | 115 BPM | ||
| Marshmallows and a Holy Bible | Circus Contraption | G Major | 5 | 9B | 195 BPM | ||
| "The World's Greatest Criminal Mind" | Vincent Price | F Major | 2 | 7B | 79 BPM | ||
| Mister Cellophane | John C. Reilly | E Major | 2 | 12B | 85 BPM | ||
| Grubbery (Cooked to Perfection) | Stolen Babies | A♭ Major | 8 | 4B | 79 BPM | ||
| We Started This Op'ra Shit | Bill Moseley, Paul Sorvino, Darren Smith, Ogre, Poe | A Major | 9 | 11B | 170 BPM | ||
| Spook-O-Rama | The Circus Contraption Band | B♭ Minor | 7 | 3A | 98 BPM | ||
| My Eyes | Neil Patrick Harris, Felicia Day | B Minor | 6 | 10A | 128 BPM | ||
| Alive - Reprise | Hyde | A Minor | 6 | 8A | 46 BPM | ||
| Brass Goggles | Steam Powered Giraffe | A Minor | 7 | 8A | 117 BPM | ||
| Bad Stuff Happens in the Bathroom | Bob's Burgers, H. Jon Benjamin, Kristen Schaal, Dan Mintz, Eugene Mirman, John Roberts, Tim Dacey, Loren Bouchard, Nora Smith, Steven Davis, Kelvin Chow-Min Yu, Jim Dauterive, Jonathan Peter Schroeder, Wendy Molyneux, Lizzie Molyneux, Rachel Hastings, Lar | C Major | 5 | 8B | 126 BPM | ||
| Dr. Steel | Dr. Steel | B Major | 6 | 1B | 86 BPM | ||
| The Scorpion and the Frog / Trust Me | Marc Senter, Jessica Lowndes, Terrance Zdunich | D Minor | 3 | 7A | 79 BPM | ||
| In My House | Grace McLean, Denée Benton, Brittain Ashford | B Minor | 6 | 10A | 111 BPM | ||
| Overture (feat. Bill Moseley) | Sinnergod, Bill Moseley | E Minor | 5 | 9A | 140 BPM | ||
| The Devil and His Due (Score) | Saar Hendelman, Dayton Callie, Terrance Zdunich | B♭ Major | 2 | 6B | 111 BPM | ||
| For the Departed | Shayfer James | F♯ Minor | 6 | 11A | 100 BPM |