Kevin Sherwood's 'Can You Hear Me? Come In - Instrumental' had a release date set for November 8, 2024. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 26 out of 28 in Call of Duty®: Black Ops 6 - Zombies (Original Soundtrack) by Kevin Sherwood, Brian Tuey, James McCawley. Based on our statistics, Can You Hear Me? Come In - Instrumental's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Can You Hear Me? Come In - Instrumental by Kevin Sherwood is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beauty of Annihilation (From “Call of Duty: World at War - Der Riese”) - Instrumental | Kevin Sherwood | B Major | 10 | 1B | 120 BPM | ||
| Sanguinius - Instrumental | Ultra Nightmare | D Major | 10 | 10B | 106 BPM | ||
| Mystery (From “Call of Duty: Black Ops 4 - Dead of the Night”) - Instrumental | Kevin Sherwood | D Major | 9 | 10B | 95 BPM | ||
| A Slight Chance of Zombies (From “Call of Duty: Black Ops 3 - DOA2”) | James McCawley | A Minor | 9 | 8A | 90 BPM | ||
| Sliiiide | George Dziov | B♭ Major | 6 | 6B | 140 BPM | ||
| IV. Trigger Finger Gut Punch | David Csontos | B♭ Minor | 9 | 3A | 107 BPM | ||
| What Is My Fate? (Koumei & the Five Fates) | Warframe, Chihiro Yasufuku | G Major | 9 | 9B | 164 BPM | ||
| The Red Mist | ZlixGH | G Minor | 9 | 6A | 130 BPM | ||
| Engage Annihilation | zYnthetic | A Major | 9 | 11B | 108 BPM | ||
| The Megadrill | Carl Lindegaard, Catarinth | C Minor | 7 | 5A | 195 BPM | ||
| Ready To Die | Buckethead, Brain | D Major | 9 | 10B | 146 BPM | ||
| Hellbound | Krys Polezoes | C Major | 10 | 8B | 120 BPM | ||
| Kick The Pedal | 奥河英樹 | F♯ Major | 9 | 2B | 81 BPM | ||
| Khorne - Instrumental | Ultra Nightmare | D Major | 10 | 10B | 106 BPM | ||
| Dead Flowers (From “Call of Duty: Black Ops 3 - Zetsubou No Shima”) - Instrumental | Kevin Sherwood, James McCawley | A Minor | 9 | 8A | 90 BPM | ||
| The Abyss and the Serpent | Heaven Pierce Her | F Major | 6 | 7B | 90 BPM | ||
| You're Gonna Need a Bigger Ukulele | Chris Christodoulou | A♭ Major | 7 | 4B | 160 BPM | ||
| From the Ashes | Finishing Move Inc. | E♭ Minor | 5 | 2A | 108 BPM | ||
| The Super Destroyer | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Abomination | Jack Wall, ROMES | D♭ Minor | 8 | 12A | 93 BPM | ||
| Terminal Lucidity (Delirium) | Mudeth | G Minor | 9 | 6A | 153 BPM | ||
| The Laser Line (Atomic Heart Version) | Multiverse, Atomic Heart | D♭ Minor | 9 | 12A | 95 BPM | ||
| Blood, Bile, and Fire | Killing Floor 3, Rocky Gray | E Major | 9 | 12B | 160 BPM | ||
| By the Throat | zYnthetic | D♭ Major | 10 | 3B | 172 BPM | ||
| Rooftop | Brandon McKagan | A Major | 8 | 11B | 102 BPM |