Aditya Prakash Ensemble's 'Vasheebhava' had a release date set for July 29, 2016. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Aditya Prakash Ensemble's "Mara" album is number 15 out of 18. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Vasheebhava's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Vasheebhava by Aditya Prakash Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chakka - Kintsugi Sessions | The Aahvaan Project | A Major | 3 | 11B | 168 BPM | ||
| Brindavani Sarang | Ashwin Srinivasan, Ojas Adhiya | E♭ Minor | 7 | 2A | 140 BPM | ||
| Echoes of Jummapur: Theme from Tom Stoppard's Indian Ink | Kuljit Bhamra | A Minor | 7 | 8A | 129 BPM | ||
| Raga kirvani : Tânam | L. Subramaniam | E Major | 2 | 12B | 87 BPM | ||
| Maiden Voyage | Aditya Prakash Ensemble | G Major | 7 | 9B | 120 BPM | ||
| Raga Aberi Track 02 | L. Shankar | A♭ Major | 5 | 4B | 83 BPM | ||
| Jao Piya | Maati Baani, Ambi Subramaniam, Abhay Nayampally | E Major | 5 | 12B | 91 BPM | ||
| Portrait | Mukta | G Major | 4 | 9B | 111 BPM | ||
| Jaago Piya | Berklee Indian Ensemble, Armeen Musa | E♭ Major | 5 | 5B | 77 BPM | ||
| Dua | Berklee Indian Ensemble, Shadow and Light | E♭ Major | 5 | 5B | 180 BPM | ||
| Jai Hanuman! (feat. Nyoman Wenten & Burat Wangi Choir) | L. Subramaniam | B♭ Major | 9 | 6B | 127 BPM | ||
| Wave for an Ocean | Aditya Prakash Ensemble | E Major | 10 | 12B | 123 BPM | ||
| Sitar Gaze | Niladri Kumar | E Major | 5 | 12B | 92 BPM | ||
| KONGCHEN (the land of the mighty Kongchyen Chyu) | SOFIYUM, Lungnyee_OT/ Ongyal Tshering Lepcha,, Mickma Tshering Lepcha | D Major | 3 | 10B | 160 BPM | ||
| Vaani | Niraj Chag, Gauri Sharma Tripathi | F Minor | 4 | 4A | 90 BPM | ||
| Hasiba Kheliba | Aditya Prakash Ensemble | A♭ Major | 4 | 4B | 140 BPM | ||
| seal | Ganavya | A Major | 3 | 11B | 134 BPM | ||
| Raga Jog | Nadiyon | F♯ Major | 4 | 2B | 109 BPM | ||
| Vaishnav Jana To - Instrumental Version | Amjad Ali Khan, Amaan Ali Bangash, Ayaan Ali Bangash | D♭ Major | 3 | 3B | 85 BPM | ||
| Meera | Sounds of Isha | B♭ Major | 5 | 6B | 138 BPM | ||
| The Last Poem | Bickram Ghosh | B♭ Minor | 0 | 3A | 83 BPM | ||
| Om Namah Sivaya (feat. Charles Overton & Ganesan Doraiswamy) | Ganavya, Charles Overton, Ganesan Doraiswamy | F Major | 4 | 7B | 89 BPM | ||
| Bahudari | Apoorva Krishna | B♭ Minor | 7 | 3A | 150 BPM | ||
| Raag Kalavati | Sounds of Optimism, Deepesh Sanmal | B Major | 3 | 1B | 127 BPM | ||
| Adana | Buddhadev DasGupta | F Major | 4 | 7B | 115 BPM |