Exile's ' "I Could Get Used To You" was released on its scheduled release date, September 23, 1986. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. I Could Get Used To You's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Exile's "Greatest Hits" album is number 7 out of 10. In terms of popularity, I Could Get Used To You is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of I Could Get Used To You by Exile to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Walking Away A Winner | Kathy Mattea | A♭ Major | 6 | 4B | 123 BPM | ||
| All I Have To Offer You Is Me | McBride & The Ride | A♭ Major | 3 | 4B | 95 BPM | ||
| You Make Me Want to Make You Mine | Juice Newton | F Major | 7 | 7B | 95 BPM | ||
| A Long Line of Love | Michael Martin Murphey | F Major | 2 | 7B | 138 BPM | ||
| Every Second | Collin Raye | F Major | 5 | 7B | 145 BPM | ||
| Heartbroke Every Day | Lonestar | G Major | 8 | 9B | 181 BPM | ||
| The Love She Found in Me | Gary Morris | C Major | 3 | 8B | 141 BPM | ||
| You're Gonna Bring Back Cheatin' Songs | Doug Supernaw | B Major | 6 | 1B | 123 BPM | ||
| I Only Wanted You | Marie Osmond | D Major | 8 | 10B | 92 BPM | ||
| A Texas State Of Mind | David Frizzell, Shelly West | E Major | 3 | 12B | 132 BPM | ||
| It'll Be Me | Exile | G Major | 7 | 9B | 205 BPM | ||
| Sentimental Ol' You | Charly McClain | A Major | 4 | 11B | 111 BPM | ||
| Staying with It | Firefall | B Major | 7 | 1B | 128 BPM | ||
| What Were You Thinkin' | Little Texas | A Major | 6 | 11B | 121 BPM | ||
| Give A Little Love | The Judds | C Major | 5 | 8B | 91 BPM | ||
| Love Affairs | Michael Martin Murphey | A Major | 4 | 11B | 128 BPM | ||
| Still Taking Chances | Michael Martin Murphey | A Major | 8 | 11B | 125 BPM | ||
| Been There | McBride & The Ride | E Major | 3 | 12B | 73 BPM | ||
| Disenchanted | Michael Martin Murphey | B♭ Major | 4 | 6B | 67 BPM | ||
| She's Single Again | Janie Fricke | A Major | 5 | 11B | 118 BPM | ||
| Your Love's On the Line | Earl Thomas Conley | G Major | 6 | 9B | 110 BPM | ||
| If You Could Only See Me Now | T. Graham Brown | A♭ Major | 3 | 4B | 78 BPM | ||
| She's Sure Taking It Well | Kevin Sharp | G Major | 7 | 9B | 108 BPM | ||
| Brilliant Conversationalist | T. Graham Brown | F Major | 6 | 7B | 111 BPM | ||
| Heart Don't Fall Now | Sawyer Brown | D Major | 2 | 10B | 108 BPM |