The Cedars's ' "Extrication Row" was released on its scheduled release date, March 11, 2013. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Extrication Row's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Cedars's "Little Copper Still" album is number 6 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Extrication Row's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Extrication Row by The Cedars to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everything You Ever Wanted | Dick Valentine | D♭ Major | 10 | 3B | 166 BPM | ||
| Another Now | John Peter and His Collaborators | D Major | 4 | 10B | 135 BPM | ||
| let the little ones come | stephen t.p. moore | E Minor | 6 | 9A | 118 BPM | ||
| How Grateful I Am | Linda Wagner | A Major | 7 | 11B | 144 BPM | ||
| Believe | Gary T. Bell | G Major | 6 | 9B | 94 BPM | ||
| Salvation | Jacob Levesque | C Major | 1 | 8B | 124 BPM | ||
| Let Go | Mantlepiece | A Major | 7 | 11B | 184 BPM | ||
| Northfield | Mary McCaslin | C Major | 3 | 8B | 163 BPM | ||
| Canyon | Anjela Rose | G Major | 5 | 9B | 94 BPM | ||
| To Love Is to Bury | Cowboy Junkies | G Major | 3 | 9B | 102 BPM | ||
| 14 Days | Martha Scanlan, Jon Neufeld | E♭ Major | 2 | 5B | 105 BPM | ||
| Clean Threshold | Rosa Chillings | E♭ Major | 2 | 5B | 105 BPM | ||
| Ginger Ale and Lorna Doones | Amy Speace | B♭ Major | 1 | 6B | 123 BPM | ||
| East Coast Dreams | Bilby Brave | E♭ Major | 2 | 5B | 105 BPM | ||
| Goin' back to Harlan (Aka Appalachian Dream) | Kate & Anna McGarrigle | A Major | 7 | 11B | 161 BPM | ||
| Witch Bottle | Stick in the Wheel | C Major | 2 | 8B | 101 BPM | ||
| If I Was A Stranger | April Blood | E♭ Major | 2 | 5B | 105 BPM | ||
| All for Wonder | John Peter and His Collaborators | F Major | 2 | 7B | 61 BPM | ||
| Backslider's Wine | Jay Farrar, Shannon McNally | F Major | 3 | 7B | 123 BPM | ||
| No Name | Dominie Hooper | F Major | 2 | 7B | 137 BPM | ||
| Spiral Down | Cowboy Junkies | A Major | 5 | 11B | 116 BPM | ||
| Wait for You | Sammi Butler | A Major | 4 | 11B | 121 BPM | ||
| Take The Cake | Kim Richey | F Major | 2 | 7B | 129 BPM | ||
| Good Company | Kalyn Fay | E Major | 3 | 12B | 74 BPM | ||
| The One for You | Fyla | F♯ Minor | 1 | 11A | 140 BPM |