The Dizzy Reece Quartet, Tubby Hayes's ' "The Sunset Scene (Nowhere To Go)" was released on its scheduled release date, October 14, 2010. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Dizzy Reece, Tubby Hayes's "Jazz Themes From Nowhere To Go" album is number 4 out of 4. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Sunset Scene (Nowhere To Go) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Sunset Scene (Nowhere To Go) by The Dizzy Reece Quartet, Tubby Hayes to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| (I'm Left With The) Blues In My Heart | Art Tatum | B♭ Minor | 1 | 3A | 87 BPM | ||
| Swingin' Till The Girls Come Home | Erik Moseholm | D♭ Major | 1 | 3B | 130 BPM | ||
| Central Avenue Breakdown | Lionel Hampton | F Minor | 8 | 4A | 111 BPM | ||
| I Found A New Baby - Live September 22nd. 1946 Milwakee - Restoration 2025 | Nat King Cole, Oscar Moore, John Miller | E Minor | 3 | 9A | 54 BPM | ||
| Labyrinth | Elian Tumbao | C Minor | 3 | 5A | 134 BPM | ||
| Figures | The Last Jazz Volley | A Major | 1 | 11B | 78 BPM | ||
| Sweet Rain (For Stan Getz), Pt. 1 | Michael Gibbs | F Major | 6 | 7B | 92 BPM | ||
| Luz de terciopelo | Zypheron | C Major | 3 | 8B | 144 BPM | ||
| Jukin' around | Reverent Juke | D♭ Major | 4 | 3B | 119 BPM | ||
| Rock-A-Bye Basie - Live at Konserthuset, Stockholm - March 15th. 1954 - Restoration 2025 | Count Basie | C Major | 3 | 8B | 144 BPM | ||
| E.S.P. | Nat Adderley, The Big Sax Section | A Minor | 4 | 8A | 116 BPM | ||
| Silent Peak | Nico Valente | C Major | 0 | 8B | 85 BPM | ||
| Nice 'n Easy | Staffan Nilson Trio | G Major | 2 | 9B | 122 BPM | ||
| Compliments of the Evening | Bronze Oracle | F♯ Major | 2 | 2B | 72 BPM | ||
| ディキシーランドジャズ6 | 茶屋萬衛門 | C Minor | 5 | 5A | 105 BPM | ||
| Roy's Riff | Roy Eldridge | E♭ Major | 8 | 5B | 142 BPM | ||
| Lost Paths | Lofi Grow | B♭ Major | 2 | 6B | 140 BPM | ||
| No Love Like Yours | Luna Devera | C Minor | 4 | 5A | 158 BPM | ||
| Whinin' Boy Blues | Adrian Cox, Honey Boulton, Alex Gilson | E♭ Major | 2 | 5B | 74 BPM | ||
| Breathmarks | Moira Club | G Minor | 1 | 6A | 91 BPM | ||
| La Vuelta | Sergio Mihanovich, Gato Barbieri | A♭ Major | 1 | 4B | 129 BPM | ||
| One O'Clock Jump - Live September 23rd. 1946 Milwakee - Restoration 2025 | Nat King Cole, Oscar Moore, John Miller | E Minor | 3 | 9A | 54 BPM | ||
| Come Back To Me | Shirley Scott | A♭ Major | 3 | 4B | 33 BPM | ||
| The Old Country | Nat Adderley, The Big Sax Section | F Minor | 3 | 4A | 97 BPM | ||
| Thruway (feat. Gerry Mulligan) | The National Jazz Ensemble, Gerry Mulligan | F Minor | 6 | 4A | 109 BPM |